Saturday, January 2, 2010

My Work: Godown Worker (Kochi)

Photo © Tewfic El-Sawy |Traders of Kochi-All Rights Reserved

Amongst my undeclared 2010 resolutions is to experiment with black & white photography...well, sort of. I'm revisiting some of my favorite photographs of last year, and seeing how they turn out if converted to black & white via Lightroom presets. Having limited patience and not being a pixel-pusher, LR presets (especially if they're free) are ideal for me.

Some of my favorite photographs lend themselves quite well to black & white treatment, especially if I apply a smidgen of toning. Others just don't respond as well, but I expect that this is a natural consequence of seeing and shooting in color. To really be able to see in black & white, one needs to shoot it in-camera, rather than process color images. Wasn't there an old trick that photographers used to see in black & white which involved squinting at a scene? No matter how much I squinted, it never worked for me, so I don't know if it's true or not.

The color version of the above photograph (click for a larger version) is part of my Traders of Kochi gallery. The streets of old Kochi, or more specifically, Mattencherry, are virtual live theater, with its bazaar-like alleys, and traditional godowns and stores stocked with all types of rice, dark brown nutmeg, red and green chillies, earthy ginger, black pepper and other spices.

I hope to photograph in Chandni Chowk when I'm in Delhi in a couple of weeks, and I plan to experiment with black & white (or at least, pre-visualize in B&W) as much as I can.

As for LR presets, they are all over the internet, but I found some particularly interesting ones on X-Equals, blog of Chicago-based Brandon Oelling.

Friday, January 1, 2010

POV: Flying For Photographers


The recent increase in security procedures and passenger/luggage screening is/will driving/drive photographers (and others) bonkers, as it’s most probably going to get tougher to get camera gear on board a commercial plane, whether flying from the US, flying to the US or flying between countries that have nothing to do with the US. Many of these new restrictions are nonsensical, and will be relaxed...but some will stay with us, like the rather quaint requirement that we remove our shoes.

Let's remember that airlines are essentially lemmings, and their managements realize there's a possible opportunity to make more money in checked-in (or excess) fees from these new rules. They're also painfully aware that passengers have had enough, and that traffic may well drop if the restrictions are too onerous. So the airlines (such as Virgin) will temporarily waive fees on excess check-in luggage if it arises from having too much or too heavy hand luggage...and then suddenly will stop the altruism, and will start to charge its hapless passengers.

As I wrote in an earlier post, we need to be prepared and plan accordingly. "Expect and plan the worse, and hope for the best" is a useful cliche in this situation. I will soon fly to London and onwards to Delhi to start my Tribes of Rajasthan & Gujarat Photo~Expedition™, and I expect the hassles to be stringent and time-consuming. As it stands, we cannot lock checked luggage unless we use the so-called TSA-approved locks (or lose the locks), which means that once our luggage disappears in the airport's entrails, our expensive gear is exposed to whoever takes a fancy to hard drives, lenses, etc.

Since we can only bring carry-ons limited in size and weight, we now have few options. The days of rolling backpacks with tons of photo gear are probably over..at least internationally and in the short to medium run. Small camera bags crammed with gear will be the only way to go, provided the bags do not exceed airlines' weight restrictions. I'm already at this stage using my minimalist set-up, of which I wrote of here. However, I still need to have ancillary electronic gear (chargers, cables, perhaps an extra lens) packed in my checked-in luggage...and my fingers will remain crossed until I get to Delhi hoping that nothing is missing. Gear insurance is great, but won't help you until you return to make a claim, and being in Rajasthan without a 70-200 lens sucks.

It's conceivable that the new small bag rule (9 x 14 x 22 inches and 13lb/6kg in weight) will only apply on my return flight from London to New York, which would make things somewhat easier. But I have heard and read of instances where passengers on non-US bound flights were told they had to abide by that rule as well...so I'm not too optimistic.

I also read in the newspapers that full-body scanners are being installed at more airports, but some politicians and advocates are voicing serious concerns at these devices because of privacy issues. Please...I'd be willing to stand naked in front of a TSA agent for as long as she wants, provided I'm allowed to carry all my gear on-board. Eye-candy I'm not, but if that's what it takes, I'm all for it.

Seriously though, I understand many passengers find the idea of being scanned and their privacy invaded in such a fashion to be totally abhorrent, but there's always the pat-down option instead of the scan...so I'm not too fussed about the fuss. I want to fly safe and have my gear near me...that's not too much to ask for, is it?

Thursday, December 31, 2009

Tom Bourdon: Varanasi Holy Man

Photo © Tom Bourdon -All Rights Reserved

I thought that Tom Bourdon's photograph of a sadhu offering water to the sun on the banks of the Ganges in Varanasi would be a perfect choice to end my blog posts for 2009. It projects the optimism we ought to feel today while we are at the cusp of welcoming a brand new year.

Tom Bourdon is UK born, and is an award winning international travel photographer who specializes in photographing religious and cultural festivals/celebrations across the globe. To my knowledge, he's one of the very few who specialize in documenting festivals, and if I'm not mistaken he might be traveling to the Kumbh Mela this year in Haridwar. If he does, you can bet he'll have splendid images to show.

Happy New Year to all my readers...and looking forward to see you again next year!

NGS' Traveler: Best of 2009



National Geographic Traveler's Editor-in-Chief Keith Bellows presents his favorite pictures published in his magazine throughout 2009. The audio slideshow features 14 photographs made by various photographers in countries ranging for Malaysia to Peru.

I'm always intrigued how photo editors choose the photographs that are published, but I haven't learned much from Bellows' narrative. This collection actually mystifies me...sure, there is a bunch of lovely photographs but many are pedestrian and unimaginative, to say the least. The photograph of the four women on a bench in Shanghai is one of those. I looked at it for a while, trying to figure out the reason(s) for its inclusion here, but honestly couldn't.

I don't know if this was rush job put together by novice interns, but it's certainly not a shining effort by the National Geographic.

Wednesday, December 30, 2009

Michael Bednar: Eagle Hunters of Mongolia

Photo © Michael Bednar -All Rights Reserved

I like big pictures, and Michael Bednar's website galleries have such large photographs, that viewing them is a virtual immersion into his imagery. His photo story about the Eagle Hunters of Mongolia is a visual treat...especially since it features not only environmental portraits of the hunters and their eagles, but also breathtaking imagery of the stunning Mongolian landscape.

For Kazakhs, hunting with eagles is ingrained in their cultural heritage, and historians believe hunting with birds of prey was practiced by nomadic tribes in Central Asia almost 6000 years ago.

Michael Bednar is a travel and documentary photographer based in Vancouver. He started by discovering the diversity of life and cultures in Africa, the Middle East and Asia. After some years of globetrotting, Michael returned to Canada to attend the Western Academy of Photography and secured a diploma in Professional Photography.

He worked at daily newspapers in Southern Alberta, and eventually turned freelance, with his photographs published internationally.

Tuesday, December 29, 2009

Mathias Braschler and Monika Fischer

Photo © Mathias Braschler/Monika Fischer -All Rights Reserved

Vanity Fair magazine has featured the work of Mathias Braschler and Monika Fischer, who dedicate themselves to documenting in portraiture the human cost of the climatic changes.

Schlepping large-format cameras from Timbuktu to Siberia, and from Australia to the Alps, Braschler and Fischer visited 21 countries during 2009, and have photographed the inhabitants of deserts, mountains, forests, and glacial valleys....thus documenting examples of accelerating environmental changes.

Both photographers were nominated in Vanity Fair's Hall of Fame for their work.

Via Photojournalism Links

New York Times' 2009's Travel Photos

Photo © Justin Mott/NY Times -All Rights Reserved

Continuing the wrap up of the "Best Of" for the year, here is The New York Times' best travel photographs as picked by their own photo editors, and which were published in the newspaper's Travel section during 2009.

The photographers whose work is shown in the feature are Chris Bickford, Peter DaSilva, Lalo de Almeida, Josh Haner and Todd Heisler, Andy Isaacson, Michael Kamber, João Pedro Marnoto, Kevin Moloney, Justin Mott, Michael Nagle, Jeff Pflueger, Susana Raab, Scott B. Rosen, Brian Sokol, Vanessa Vick and Dave Yoder.

I was surprised at the statement made in the feature that 19 photographs are the maximum number for The New York Times slide-show player, and wonder why that is so.

Monday, December 28, 2009

American Photo: Images of the Year 2009


American Photography Magazine is featuring Images of the Year 2009 . Rather predictably (but deservedly) Ed Kashi is the Photojournalism Category Winner with his essay documenting the Trans Amadi Slaughter, an abattoir in Nigeria that had sprung up after petroleum-related pollution destroyed local fisheries.

Photo © April Maciborka -All Rights Reserved

Other winners in the Photojournalism category are Larry Louie, Ed Ou, Andrew Biraj, April Maciborka, and Achille Piotrowicz. I thought that April Maciborka's work (above) documenting shrimp farmers in India was the best. Her toned photographs are really impressive.

I featured April Macibroka on this blog earlier this year, in which I thought that her work exemplified the essence of what a travel photographer is, or should be. The post can be found here, so I'm glad she earned the recognition that she did.

NYT: 2009 The Year in Pictures

Photo © Tyler Hicks/New York Times -All Rights Reserved

The newspaper version of the New York Times's Week In Review yesterday was a real fillip for photojournalism. The totality of the first page was of Tyler Hicks' superb blurry photograph of a US soldier in Afghanistan's Korengal Valley, and much of the section was filled with the remarkable photographs by Emilio Morenatti, Moises Saman, Jehad Nga and Rita Castelnuovo.

On the section's second page, I paused at the editor's decision to publish two photographs by Tyler Hicks of the utter devastation of the Gaza Strip and the terrific loss of innocent lives, and the nearby positioning of a third photograph by Rita Castelnuovo showing a group of Israeli soldiers grieving over the loss of a colleague. I imagined the editor's cerebral gymnastics as to how to present a "balanced" view of the Gaza atrocity with a couple of photographs. Ah well...

As I said, the Week In Review section this week is a job well done. You can see it as a slideshow on the NYT's website.

Sunday, December 27, 2009

Unearthing Asia Magazine


Unearthing Asia bills itself as a travel 'zine focusing on culture, lifestyle and attractions all around Asia.

It was started by Nikolas Tjhin and Michelle Lee, whose initial idea was to publish a travel related real-life publication, but as the costs were prohibitive, decided to publish it online. It's available online and downloadable in PF format.

If my understanding is correct, it can also be found in paper form in South East Asia.

It may be an interesting addition to travel photographers who seek new venues for their photographs.