Saturday, February 19, 2011

Web Photos and Copyright


Web Copy Plus has an excellent example of what can go wrong when an innocent copywriter downloads a photo off the internet, then uses that photo in an advertising campaign. The same rules apply to your writing, so if you find your stolen words being used elsewhere, find an appropriate lawyer and sue to protect your rights.

Here's the article:

Why would copywriters at Webcopyplus pay $4,000 for a digital photo that retails for about $10? Well, frankly, we screwed up. It’s an expensive lesson on copyright laws that we wish to share with other marketers, so you don’t make the same mistake.

Our web copywriters were under the impression that images on the Web without any copyright notices were “public domain” and therefore free to use. Naive? Yes. A notion limited to our copywriting firm? Definitely not. It likely has to do with the fact that works no longer need a copyright notice to have copyright protection (you can read about the Berne Convention Implementation Act, which the US adopted in 1988).

Designers, writers, developers, marketers, business owners, and ironically even photographers, use photos from the Web without permission. Sites like Google make it so convenient. Enter your keywords, do an image search, and you’ve got an endless photo library ripe for the picking. Woman laughing delivers 5.2 million photos. Business man offers 423 million photos. And the keyword kids brings up a whopping 778 million images. You can find pretty well anything, too, from ABBA to zombies.

The Copyright Crime

While we maintained an active stock photo account for our blog with access to an array of suitable photos, one of our copywriters grabbed a photo from the Web. The image: a colour 400 x 300 pixel beach shot with some greenery in the foreground. A nice shot, but nothing spectacular.

We posted it on a client’s tourism blog to add zest to a promotional article — done. Sip some caffeine, get a little Twitter action, and then dive into the next copywriting project. Photo forgotten. That was in May, 2010.

The Lawyer’s Letter

Fast forward a few months, we got a call from the client a couple of days before Christmas, and he wasn’t feeling overly festive. He received a formal letter from a lawyer with the following introduction: “Cease and desist demand and offer to settle copyright infringement claim, and digital millennium copyright act claim, subject to Rule 408, Federal Rules of Evidence.”

Apparently copyright infringement involving images that are registered with the U.S. Copyright Office allows for statutory damages of up to $30,000, or $150,000 if it can be demonstrated it was a willful act.

The Lawyer’s Demands:
1. Immediately cease and desist all unlicensed uses of the image, and delete all copies from computers and digital storage devices.
2. Remit almost $4,000 to his trust account.

The image was removed within minutes. Lengthy discussions ensued. Two days later, a letter of apology was emailed to the lawyer to advise the photo had been immediately removed, and to express regret for the “unintentional errant use” of the image.

The lawyer responded that while they appreciated our commitment to remove the image from the blog, “removal of the image from the website will not relieve you from liability for damages arising from your past infringing use of the image on your commercial website.” The letter also stated that any further attorneys’ fees and costs incurred to resolve the matter would be added to the settlement demand.

The Defendant’s Response

With some pro bono legal advice, a copy of the Certificate of Registration and the date that the image was first published was requested. While the letter contained all sorts of legal jargon, it failed to verify the image was copyright registered and that the lawyer’s client, a photographer, owned the rights to the image.

A few notes were exchanged, and by entering a registration number at the U.S. Copyright Office’s website (www.copyright.gov), we were able to confirm the image was copyright registered and the lawyer’s client was the rightful owner. Shortly after, we provided a counter offer of $1,925, which we figured would provide the photographer about $100 per month, and the lawyer three-hours’ pay at a lofty $400 per hour. We felt that was generous and more than fair to make this problem go away.

They declined, and due to the exchange of letters (while respectful in nature and completely reasonable, considering we were merely asking for registration and ownership proof), the lawyer slapped on an extra $2,500 in attorney fees, which he subsequently agreed to remove.

The Dilemma

Had the lawyer engaged Webcopyplus, in which case our client wouldn’t be caught in the middle, we would have had options: ignore the letter; say, “Go ahead, sue us”; or respond, “$1,925 is our final offer,” which there’s a chance they’d accept. We felt — and photographers we spoke to agreed — the proposed settlement amount was excessive.

In fact, you can find articles and discussions online on how lawyers around the globe are capitalizing in technologies and laws to bring in piles of claims for copyright infringement damages. For example, check out Copyright Lawsuits as a Business Model.

The Decision

While we considered the lawyer’s demands abusive, the fact remained that our client was trapped in the ordeal, and it was costing him time and causing him grief. Plus, he’d be the one to get subpoenaed. So we opted to settle for $4,000.

It was a tough pill to swallow, but we were the ones who messed up, and salvaging the client relationship was priority. Moreover, settling the matter would allow us to focus on writing copy to market and sell products and services, and build productive relationships, rather than deal with an aggressive lawyer.

Lesson Learned

As web copywriters, we work with dozens of web designers around the globe. Based on recent discussions, even after we shared our story, some continue to suggest copyright laws are blurry, and insist if you ever run into conflict and get a threatening letter, you can simply delete the image and toss the document in the trash (one designer even labeled it “delete and toss”).

While this might work with some individuals and organizations, particularly if they’re in a different province, state or country, which might make legal costs prohibitive, be aware: you could end up in a lengthy and costly court battle. For those who insist, “It won’t happen to me,” mind the fact that this beach photo was the only one we’ve ever grabbed from the Web for a client’s website. And it cost us almost $4,000. Consequently, we urge others to recognize and yield to a simple fact: If it’s on the Internet and others wrote or created it, do not use it without their permission.

As copywriters, we work with and rely on a range of creative types and specialists, including photographers. We didn’t mean any disregard for this profession and now have a greater awareness and appreciation for the fact that freely using photos from the Web diminishes a photographer’s income and livelihood. We apologize, and it won’t happen again.

Copyright Resources

We’re copywriters — not copyrighters — so this is meant to share
our experience, not to provide formal legal advice. However, there’s a lot of useful copyright information on the Internet, which you can check out.

Fair Use — If you’re using copyrighted work for teaching or research, criticism or comment, or news reporting, it may be considered fair use.

Berne Convention Implementation Act of 1988 — The US adopted the Berne Convention for the Protection of Literary and Artistic Works, an international agreement governing copyright that was initially established in Berne, Switzerland in 1886.

10 Big Myths About Copyright Explained — Techie and photographer Brad Templeton touches on common copyright myths.

Free and Commercial Stock Photography Sources

As part of our updated policies, our copywriters are required to only use stock photo websites in a bid to play by the rules, be fair to photographers, and keep lawyers out of the equation. Here’s a list of stock photo sources you might want to consider, where you can get photos starting at $1 per image:

GettyImages
iStock
Pixmac*
Stock.XCHNG
*For the record, the Pixmac link is an affiliate link (so we can recoup some of the settlement costs and support our caffeine addictions). It’s a relatively new company with 11 million images to choose from, at affordable prices.

Creative Commons

Some photographers let people share and use photographs under Creative Commons licenses, which is an alternative to full copyright (special thanks to Vancouver photographer Kris Krug, who brought this to our attention). You can find millions of Creative Commons photos at Flickr.

Update: Another good information source is the Canadian Intellectual Property Office.

POYi: Adrees Latif: First Place Freelance

Photo © Adrees Latif/Reuters

I'm gratified that one of the photographs that I deemed to be outstanding last November , has just won its photographer first place in the 2011 POYi's Freelance category.

Adrees Latif, a Pakistani photographer with Reuters, has been awarded Photographer of the Year Freelance/Agency with his excellent photograph made during relief supplies being delivered to flooded villages in the Muzaffargarh district of Punjab in Pakistan.

I'm also really "chuffed" that the work of non-Western photojournalists/photographers are recognized in such a manner. Recognition has been long in coming for such professionals, but it's here now, and it was about time. As I've suggested in a previous blog post, I am still disappointed at the absence (or paucity) of imagery by local indigenous photographers being featured by the international press in the events such as the Egyptian uprising, the Tunisian revolt and the ongoing events in Bahrain. This has to change.

And while I'm am chagrined that photojournalists are blogging about being roughed up by thugs in Cairo and elsewhere, I'd remind them that it's not about them...so get a grip, fellas...and stop moaning about how you lost some hard drives, how someone stole your satellite phone or whether you had a black eye...you were in a "war" zone, where people were/are making history. Your images may too.

Thursday, February 17, 2011

In Focus Does Lantern Festival

Photo © Jason Lee-Courtesy In Focus-All Rights Reserved
The new photo blog In Focus by Alan Taylor for The Atlantic featured about 33 photographs of the festivities on the occasion of the Lunar New Year. The Lantern Festival (known as Yuan Xiao Jie) was observed yesterday in China and wherever there are Chinese communities. It's the last day of the Chinese Lunar New Year festivities.

The blurb accompanying the photographs informs us that it's the most important annual celebration in China, and welcomes the Year of the Rabbit...which is a year of caution and calm.

Calm and caution? I guess the Arab nations revolting for their freedom are unconcerned with the Year of the Rabbit!!

I sense In Focus will soon be one of the favored destinations for those of us who appreciate photojournalism at its best...especially as I just noticed that it offers two choices for its image size: 1024 or 1280 pixels! Nice touch...very nice touch!

Global Post: Ali Sanderson's Mekong River

Photo © Ali Sanderson- Courtesy Global Post-All Rights Reserved
Global Post periodically publishes a photo feature called Full Frame, which showcases some interesting work by emerging photographers. This one is on the Mekong River and is by Ali Sanderson, an Australian photographer from Australia who was based in Phnom Penh, Cambodia. She worked on productions with leading broadcasters such as National Geographic TV and Radio Free Asia.

In Phnom Penh, Ali, with three other Australian filmmakers, formed a film production company focusing on documentary films dealing with environmental and human rights issues. This led to projects commissioned by Radio Free Asia.

The Mekong is the 10th-longest river in the world, and the 7th-longest in Asia. Its estimated length is 4,909 km (3,050 mi) and runs from the Tibetan Plateau through China's Yunnan province, Burma, Laos, Thailand, Cambodia and Vietnam.

POV: The Part I Like In Travel Photography

The part I like a lot during my photo-expeditions/workshops is when I revisit an area or a village, and bring prints of the photographs I had previously made there. More often than not, the people remember me either before or after I hand out their photographs. It's a small way to give back to the community, and demonstrates to those who were willing (or unaware) subjects that I keep my promises when I tell them I'd be back with their portraits.

In Ahmedabad, I returned to the area of Ahmed Shah's mosque and his shrine, and found the keeper of the tombs as well as the woman who makes and sells paper flowers. They were thrilled with their photographs. It didn't stop one of them to cheekily but smilingly ask me for "baksheesh" but I laughed it off.

Photo © Kantilal Doobal- All Rights Reserved

In a tribal village close to Bhuj, I was very popular with a group of women and children as I handed out their pictures, and one woman was extremely proud to show off a picture of her in all her finery.

Photo © Tewfic El-Sawy-All Rights Reserved

It takes a little effort to find, edit and print these pictures before each trip, but it's well worth it. It goes a long way to gain the trust of the people I photograph and will photograph anew. There were some areas I didn't revisit this time, but I still carried some prints of those I had photographed, which I gave to either hotel keepers, fixers or locals I know will eventually pass them on to the rightful people.

Photo © Kantilal Doobal-All Rights Reserved

Wednesday, February 16, 2011

Sharon Johnson-Tennant On Lenscratch

Photo © Sharon Johnson-Tennant-All Rights Reserved
Sharon Johnson-Tennant also joined my Tribes of South Rajasthan & Kutch Photo~Expedition™ last year, and has just been featured by the LENSCRATCH photography blog, amongst others.

LENSCRATCH writes that Sharon discovered photography during her career as New York fashion designer, where visual inspirations came from exploring color, texture, and from through her travels around the world. This echoes what I wrote about Sharon's style in my blog post:
"Sharon's professional background in textile design and international fashion influences her photographic acuity to the point that during our trip, I frequently wondered at what she was photographing so intently in an isolated spot. Now I know what she saw and what I didn't. "

A photographer who can easily cross over from art to photojournalism to travel and back again is a photographer to watch.

Terri Gold: Tribal India & Kham Exhibition


Terri Gold joined my Tribes of South Rajasthan & Kutch Photo~Expedition™ last year, and will be showcasing a series of her photographs from tribal India and Kham that are painted with encaustic wax and oils. This is an intricate and creative process, which Terri describes here on her blog.

Terri is an award-winning photographer and artist based in New York City, and built an impressive reputation for her rituals, rites of passage, festivals, celebrations and portraits from all over the world.

The exhibition is at Keyes Art, 551 West 21st (4th floor), New York, from February 17th to March 8th.

It's well worth attending this exhibition to appreciate Terri's artistry, and her ability to capture the very essence of tribal India and Kham on such a creative medium...so mark your calendars!!!

And here's an insight into the installation process.

Tuesday, February 15, 2011

POV: Missed Opportunity?

Photo © MOHAMMED ABED/AFP/Getty Images (Via denverpost.com)
As readers of this blog know, my In Search of Sufis of Gujarat Photo-Expedition coincided almost perfectly with the revolution in Egypt, and I was torn between my commitment to its participants to continue leading it as if nothing was happening in my homeland...and flying off to Cairo and cover the events as best I could.

I stayed on. It was a difficult decision and certainly a missed opportunity to get involved in Egypt's historic moments, but I had a commitment to the group of photographers who chose to accompany me on this trip.

Had I sensed that I needed to be there because of dangerous turn of events, I would have taken leave of my group, and I know they would have understood and supported my decision to be in Cairo instead. But that did not happen and all was safe. Was it a missed opportunity for me to cover the events at Tahrir Square? Of course. But it was not meant to be. Had I not have a commitment to fulfill, I'd have been amongst the first to be there.

I was asked by a number of well-wishers, friends and acquaintances whether I'd return to Egypt and take part in the restructuring that is bound to happen. As much as I'm flattered by the thought, I've been away from Egypt for too long...it's up to the younger generation to remodel their country in the shape and form they want it to be....and I know they will eventually succeed. Once freedom is tasted, there's no turning back.

Perhaps it won't be an Utopian democracy...there'll be disappointments...it'll be imperfect...but it'll be theirs, and they deserve it after 60 years of deprivation, humiliation, and inequality.

In Focus: The Atlantic's New Photo Blog

Photo © AP Photo/Altaf Qadri-All Rights Reserved
Another great addition to the stable of newspaper/magazine photo blogs is The Atlantic's In Focus whose editor is Alan Taylor (previously with Boston Globe's The Big Picture).

It recently featured the photographs which won recognition at the World Press Photo Contest 2011. The top honor went to Jodie Bieber for her image of Bibi Aisha, a disfigured Afghan woman, taken for Time magazine. However it being shown on the magazine's cover spoiled its impact insofar as I'm concerned...it was a blatant use of photography as propaganda since it was accompanied by the title of ‘What Happens If We Leave Afghanistan’. A hypocritical and cynical misuse of Aisha's misfortune. And by the way, her name is not Aisha Bibi...Bibi is just a title of respect given to South Asian women.

Don't get me wrong...it's a powerful image which highlights the plight of tribal women in Afghanistan and deserves recognition for doing so. What spoiled it for me was its appearance on the magazine pushing a political agenda.

Having said that, my top favorite of the lot is by Kashmiri photographer Altaf Qadri of a funeral in Pattan, Kashmir. It was awarded the 1st prize in the the People in the News singles category at the 2011 World Press Photo awards. To me, this powerful photograph is what photojournalism is all about.

The photograph shows the sister of Feroz Ahmad (who was killed by Indian forces) wailing in grief as she clings to the platform carrying the body of her brother during his funeral in Pattan, some 35 kilometers (22 miles) north of Srinagar, India.


Monday, February 14, 2011

Jain Nuns At Palitana

Photo © Tewfic El-Sawy-All Rights Reserved
One the highlights of the In Search of the Sufis of Gujarat Photo Expedition™ was the Jain temples of Palitana. As my intent for this photo expedition was to explore and document existent syncretism (defined the attempt to reconcile contrary beliefs, by melding practices of various religious traditions) in Gujarat, Palitana proved itself an interesting stop on the itinerary.

Near the town of Paltina, there's a cluster of 1,500 Jain temples packed densely together on the hillside overlooking the town. These date back to the 11th and 12th centuries, and are the focus of Jains' pilgrimage or tirtha. From the foot of the hill to the top there are about 3,800 stone steps, and it is these steps that Jains have to climb to reach the main temple on top of the hill.

Dismissing the help of porters and their "doli", a sort of palanquin from which passengers are suspended, and that would have terrified me anyway, I walked the 3800 steps up and down. I must say it wasn't that much of effort, but many Jain nuns I encountered along the way do it a multiple times a day, on empty stomachs...no food nor water! That would be tough.

The story behind the above photograph is that the Jain nun on the right had earlier stepped on thorns, and had been in pain while her companions tried to pull them out. I stopped and gave them water to soften the skin to make it easier. Seeing her in pain, I tapped her on the shoulder shoulder meaning to comfort her, whereupon she recoiled in alarm. I had forgotten that touching a Jain monk or nun was prohibited as it defiles them. I felt terrible as I had added to her troubles...however I saw her later at the top temple, and she smiled and thanked me.

So I hope I was forgiven.