SoundSlides Version 1.9.4 Beta

I'm chuffed (as the Brits say) that SoundSlides is now available in Beta with the option to produce the audio slideshow so that it's iPad compatible. In fact, version 1.9.4 has a couple of options related to the iPad. The first option is to have the slideshow only readable on iPads, whilst another is an iPad-auto-detect.

I've tried the auto detect option on three audio-slideshows, and they worked pretty well. However, I haven't been able to remove the Captions and Credits buttons (which I don't want) from showing up on the iPad, and I understand that this will be fixed in a future version.

The other issue which I don't think is fixable relates to transitions. The transitions look somehwhat choppy on the iPad...presumably due to its processor and browser. One of my audio slideshows makes use of the "flip-book" technique which relies on a large number of stills with very short time intervals to give the appearance of motion, and this feature doesn't show well on the iPad at all. It just shows the first and last frame.

Timer Remote Control For Multimedia Projects

I was so impressed by Andreas Burgess' In The Courtyard of the Beloved that I solicited advice from my good friend Anamitra Chakladar, who suggested that the time lapse frames may have been produced by using an intervalometer.

The device is a remote switch with a cord and a self-timer, interval timer, long-exposure timer, and exposure-count setting feature. The timer can be set anywhere from 1 second to 99 hours, 59 minutes, or 59 seconds. Ignoring the more expensive Canon model on B&H, I found one on eBay for less than $50 including shipping.

The brand new device, called JJC TM and made in China, arrived last night in perfect condition. Its accompanying manual is somewhat sparse in details, so I'll have to figure it out on my own (which I prefer anyway). Once I do, I'll try it out on the traditional opera singers in Chinatown or some similar activity.

PS: I figured how to work it in a few minutes...without the manual's "help".

Fantastic Bua Tong Flower Field at Mae Hong Son, Thailand

Mae Hong Son situated in the notherern area of Thailand near Myanmar border. Generally, Mae Hong Son is known as the province that covered by the fog all the year. This province is one of favorite destination of Thai travellers to visit in the winter time as there're many interesting places for travellers to experience beautiful scenery. Today. i'm gonna tell you about one of the most favorite place in Mae Hong Son which is called "Bau Tong Flower Field". In fact, there're many Bua Tong field situated around Mae Hong Son province but the biggest one which is famous for all travellers is Bua Tong Flower Field at Doi Mae Uko (Mae Uko Mountain) as Bau Tong Flower has been glowed all around the hill of Doi Mae Uko generating beautiful scenery for travellers.

However, you can experience the fantastic beautiful scenery of Bua Tau Flower field at only in November because this flower fileid usually bloom at this specific time of the year. Then, if you plan to experience this amazing Thailand scenery, you must plan to take vacation leave at the earlier of November now.

Devadasi: Prostitutes of God

I'm somewhat ambivalent about this documentary by VBS Television (you can click on the above image), which I found on The Independent newspaper's website. In a nutshell,  Sarah Harris, a British journalist,  made a documentary about temple prostitutes in south India...Devadasi women dedicated to a Hindu deity who spend their lives selling sex.

The journalist, with a couple of local minders, travels to villages and towns of Southern India to try to document a system of religious sex slavery dating back to the 6th century. Although illegal, there seems to be more than 23,000 women in the state of Karnataka selling their bodies in the name of the mysterious Hindu Goddess Yellamma. These are known as Devadasis, or ‘servants of God’.  As such things go, these statistics are estimates...which can be inflated or deflated depending on one's agenda.

I'm ambivalent because I don't get from this documentary that the women are Devadasi per se. They are certainly sex workers, but not necessarily Yellamma temple sex workers.  In parts, the documentary feels like a Lonely Planet or Global Trekker feature I watch on PBS...minus Ian Wright's wit and humor. I don't think that this documentary is accurate at all...and comes across as callous and superficial. The journalist sounds and acts as flaky as a young tourist traveling in India during a gap year, and I've seen no evidence that there was serious research done in the subject matter.

Having said that, William Dalrymple in his recent book Nine Lives, has interviewed and written about devadasi women, and their undeniable plight. Devadasi women have had a venerable history in performing a wide variety of religious functions, including sexual service...but their lives are now hard and harsh. Only marginally better than ordinary prostitutes, the devadasi system provides a way out of crippling poverty...very similar to other countries and societies. 

You can also watch it on VBS.TV website.

Breaking News: 2011 Foundry Photojournalism Workshop

Eric Beecroft has just announced that the Foundry Photojournalism Workshop will take place in mid July 2011 in beautiful Buenos Aires, Argentina!

The tuition is $500 for regional students (Mexico, and all countries south to Tierra del Fuego; including Caribbean nationals, and $975 for non-regional students. Early registration is available for a non-refundable $100 via Paypal only. The early registration guarantees a spot and places the payer in the front of the line for class choice. Scholarships will be announced shortly.

The instructors' line up include:

Kael Alford
Walter Astrada
Andrea Bruce
Michael Robinson Chavez
Tewfic El-Sawy
Ashley Gilbertson
Ron Haviv
Henrik Kastenskov & Poul Madsen (Bombay Flying Club)
Jared Moosy
Maggie Steber
Ami Vitale
Adriana Zehbrauskas

NYT's One In 8 Million Gets An Emmy

I was very glad to read that The New York Times’ multimedia series One in 8 Million won an Emmy Award in the “new approaches to documentary” category a few days ago, and that its producers and all those involved were deservedly recognized and honored.

For those who don't know,  the series is a collection of stories told with audio and photography that portray everyday New Yorkers. Unfortunately, it was only featured for 12 months...presumably because the creators didn't want it to go on any further, but I never found out the reason behind that.

Why would I devote a post on this, instead of just a Tweet? Well, apart from thinking it was extremely well produced, I used One in 8 Million as a teaching tool during my Introduction To Multimedia class with the Foundry Photojournalism Workshop in Manali (India) and in Istanbul.

I used the series as an example to stress to my classes the need for simplicity (the "keep it simple" doctrine), the need to humanize the story and the need for brevity.  Whichever one of the series that the class attendees watched, they unanimously agreed that these were inspirational.

From reading the interview conducted by James Estrin with the staff photographer Todd Heisler, the senior multimedia producer Sarah Kramer, and the photo editor Meaghan Looram, I learned that the audio was recorded before the photography took place..I didn't know that, and I am certain to share this interview with my future classes.

A very well deserved recognition!

Candace Feit: Orissa's Tribals

Photo © Candace Feit -All Rights Reserved

 

 

Candace Feit is a photojournalist currently residing in New Delhi, and was featured on the pages of The Travel Photographer blog a number of times.

Her photographs of West Africa  (she was based earlier in Dakar, Senegal) appeared in the The New York Times, Le Monde, Le Figaro, The Chicago Tribune, The Washington Post, and Time magazine, among others.

Candace has recently published more Indian photo stories, including this one on the Adivasis of Orissa.  Orissa has one of the largest concentrations of tribal population in India, and according to a government census, they number around 7 million.They are neglected by the central government, and suffer from extreme poverty.

This has given rise to a fertile environment for the Naxalite anti-government movement, which exploits the vulnerability of the tribals, and forces then to take sides. In turn, the Indian government is battling this separatist movement, and the Adivasis find themselves in the middle of the conflict.

David Myers: City of The Dead

The City of the Dead is produced by David Myers, a part-time photographer who lives in Maryland and works in Washington DC.

The City of the Dead is a four mile long cemetery (a necropolis would be a better word to describe it) which extends from the northern to southern part of Cairo. It's called el-arafa by Egyptians, and is an area of tombs and mausoleums where people live and works amongst the dead. Its foundation dates back to the Arab conquest of Egypt in 642 AD, and has grown with time until it reached the equivalent of a fully functioning residential suburb of Cairo.

I watched this short photo essay, and it brought back childhood memories when, once a year during the Eid festival, I had to accompany my father to pay respects to our ancestors and forebears who were interred in our family's mausoleum. I still recall it being as large as a couple of basketball courts, with two house-like structures sheltering a number of mausoleums, made of marble or alabaster, and intricately carved with verses of the Qur'an. It is under one of those that my father rests, alongside his forebears. The marble gateway to the mausoleums is carved with the name of my grandfather...which is like mine.

This brought back the smell of dust to my nostrils...the Egyptian dust that is tamped down by hosing it with water...the green-grey color of the palm tree leaves...and much more.

I've been to many Islamic countries and heard the adan in all of them...but few of them come  close to beauty and purity of the Egyptian adan. Perhaps I am biased....

Esther Havens: Ethiopia

Photo © Esther Havens-All Rights Reserved

It's very easy to like and admire Esther Havens. She is a humanitarian documentary photographer who focuses on social-awareness campaigns with Non Profit Organizations around the world, and spent the past two years capturing stories on water projects in Kenya, Rwanda, Uganda, Haiti and Central African Republic.

She traveled to over 40 countries and, as she says "...seeks to open hearts and minds to see the third world conditions in a way that might challenge them to make a difference".She's especially supportive of charity:water, which she urges everyone to support.

Her website has many galleries of her travels to Ethiopia, Uganda, CAR, Iraq, Rwanda, Mozambique, Jordan, Nicaragua, India and others in Asia and South America.

The above photograph is from Esther's Ethiopia gallery.

Koh Chang famous seafood restuarant with terrible service

Last time, i have post the story about "Jai Eiw" one of famous seafood restaurant in Koh Chang, Thailand. Now, i would like to tell the story about another famous seafood restaurant in Koh Chang which situated in the area named "Salak Phet" as i will not tell you about the name of this restaurant because this post is all about compliant!

Salak Phet is the name of the area situated far away from white sand beach which is deemed to be the capital of Koh Chang. I have read in the travel magazine recommeded me that there is famous seafood restaurant situated in this area and when you go to koh chang, you can't miss this restaurant. Of course, as same as many customers, i also want to experience the taste of famous seafood restuarant as well, then, i started driving from white sand beach to Salak Phet as it took about 1 hour to arrive at this restaurant. After reading menu, the price for seafood is reasonable if compared to other restaurant in Koh Chang  and i ordered 4 disks of seafood.

The time is around 14.00, there're approximated 20-30 customers visiting this restaurant. I waited for the food around 15 minutes, then, the first dish which is grilled squid has been served as it is delicious as the travel magazine recommend and i think that other dishes should be great like the grilled squid. I wait for the second dish to serve arounf 20 minutes but nothing happen, therefore, i called the waiters as sometime they may forget to write down my order and they tell me to be patience. I patiently waited for another 15 minutes but the second dishes still not ready to serve and i indicated that the waiters only served for the big group of customers sitting nearby.

In the next 15 minute, i'm started to feel angry as i think that this bad koh chang restaurant ignored us because we are just a little group of customer (3 person) as they will not gain more money form us, at this time, i called the waiter for the Bill as i don't care about other dishes of seafood that i ordered. Surprisingly, after i called for the bill, this time the second and the next dishes can be served after waiting around 1 hour as i don't know that the taste of the second and third dishes are good or bad because i'm hungry and in the bad mood for now.

The story in not end yet, after finishing my lunch in this koh chang restaurant, now i called the waiter for the bill. Again, the waiter let me wait for the bill about 10 minute as i recalled the waiter to receive my money a couple of time (Please Receive my Money) but as usual for this restaurant, nothing happen and all waiters ignored us. As the result, i break down and loudly shout to all waiters and customers that "If you're not come to collect my money now, i will walk away without paying".

At last, i would like to say that i this famous koh chang restaurant in Salak Phet area is excellent in its seafood taste, however, the service of this restaurant is one of the bad service that i've ever experience. The question is will you try the restaurant with awful service.

My Work: Bali: Ngaben (Cremation Ceremony)

Photo © Tewfic El-Sawy -All Rights Reserved

Here's the first of a number of audio-slideshows of Balinese traditional events which I worked on following my return from my Bali: Island of Odalan Photo~Expedition ™

Ngaben: Cremation Ceremony is a thematic multimedia photo-essay of black and white stills and ambient sound of a cremation ceremony for 6 villagers held on August 11, 2010 in Blahbatuh. The actual cremation was almost a whole day event, and was preceded by a ceremony of remembrance at one of the villagers' homes during which food and drinks were partaken by the families, villagers, friends, neighbors and whoever else wanted to share in the occasion.

While Balinese Brahmins and its wealthier class cremate their dead as soon as death occurs, the poor need to accumulate funds to do the same for their dead...and frequently organize group cremations to spread the costs. This means that years can pass before their dead are finally cremated. The Balinese Hindu tradition calls for bodies to be cremated in order to free the soul from all worldly ties, and as such the cremations are usually bitter-sweet occasions, since it provides closure to families.

During this event, some bodies were exhumed just before the cremation, bones and skeletons were washed...and these remains were put in coffins placed in sarcophagi fashioned in the form of bulls. These are called wadah or lembu that are made of bamboo, papier mache and cotton fabric. The climax of Ngaben is the burning of the structures and the bodies.

During other cremations I've attended, fire accelerants were used to speed up the process. On this occasion, I didn't see any.

The audio slideshow is also iPad-compatible.

Andreas Burgess: In The Courtyard of the Beloved

Photos © Andrea Burgess -All Rights Reserved

 I am thrilled to have stumbled on Andrea Burgess' magnificent In The Courtyard of The Beloved, a visual and aural "portrait" of the Dargah of Nizam Uddin Auliyah, a Sufi shrine in Delhi. The shrine is for the revered Hazrat Nizam Uddin, a famous Sufi saint of the Chisti Sect in South Asia, whose main tenet is in drawing close to God through renunciation of the world and service to humanity.

The title of the documentary refers to the title given to Nizzam Uddin by his followers; Mahboub Ilahi or beloved of God. In fact, the qawwali ( style of Sufi devotional music) songs performed at the shrine in his remembrance and praise address Nizzam Uddin as mahboob ilahi.

The "portrait" is made from over 18,000 still images and ambient sounds which were recorded on-site by Andreas... 18,000 still images!!!! Imagine the amount of editing that Andreas had to do!!! It was produced by Sadia Shepard.

The Dargah of Nizzam Uddin is one of my favorite places to photograph in Delhi, and I have a ton of images made in the area, and Andreas' work has given me fresh impetus to spend even more time there when I'm next in Delhi.

I guarantee you'll agree that this is high quality inspirational work, and I strongly recommend it to readers of The Travel Photographer blog, particularly to those who, like me, are interested in multimedia, South Asian Sufism and Indiaphiles. I already sent the link to participants of my forthcoming In Search of Sufis Photo~Expedition™

Very well done, Andreas and Sadia!

Kashmir: Will 2011 Be It ???

Photo © Altaf Qadri/ AP Courtesy SacBee's The Frame-All Rights Reserved

 I read with interest that the Indian government announced it would start releasing jailed protesters, ease security in Kashmiri towns and cities, reopen schools and universities, and offering financial compensation to the families of those killed since the protests in June.

I've been keen to go to Kashmir for a number of years, but was stymied by political unrest in the region, by conflicting time constraints and other destinations. I certainly kick myself for not taking the opportunity of being in Manali with the Foundry Photojournalism Workshop in 2009, and travel to Srinagar as some in the workshop did.

So the possibility of a solo-trip (or even a group photo-expedition) to Kashmir is once again rearing its head because of this announcement...only time will tell if the Indian government is serious with this new policy, or whether it's just a public relations stunt before the Commonwealth Games in Delhi.

I'm eager to photograph in Kashmir...and its rich and unique Islamic traditions. In all my years of traveling in India, I have not made it yet. Something tells me that 2011 will be it... Inch' Allah.

Next Week on The Travel Photographer

I'm starting a Sunday feature in which I announce some of the posts in the pipeline for the rest of the week. Most of my posts are scheduled ahead of time but there are exceptions, which occur when I stumble on an interesting portfolio, website or issue..

I've also been frequently complimented on my POVs...and especially those containing rants. I will try my best to come up with those as soon as I can.

For the week starting Monday September 27, I have posts on:

1. A fantastic multimedia project involving Indian Sufis. You will NOT want to miss this one!
2. The work of a talented photographer involved in NGOs.
3. The work of another talented photojournalist featuring tribal life in Orissa.
4. A movie by a British journalist featuring prostitution in India.

I'm also going to release an audio slideshow of my work in Bali during the week. It documents a cremation ceremony.

Oh, and by the way...so far, I've written about 2000 posts for The Travel Photographer!

My Work: Balinese Dancers

Photo © Tewfic El-Sawy -All Rights Reserved

As some participants in my photo~expeditions seek to return with a diverse portfolio, I try to organize alternative styles of photography events during the trip...and although the primary focus is always on merging travel photography with documentary photography, I provide such opportunities to those who join them...depending on the destination.

One of the pre-arranged photo shoots during my recent Bali: Island of Odalan Photo~Expedition ™ was held at the studio of a dance master specializing in the traditional dances of the island. I asked for three Legong dancing students, and one Baris dancer to be made up, costumed and willing to pose for us. Nothing photo-journalistic was intended from it, except perhaps during the make-up preparations, but the objective was fundamentally similar to a fashion photo-shoot.

Photo © Tewfic El-Sawy -All Rights Reserved

Notwithstanding, I couldn't resist to make some non-posed photographs such as the one of the Baris dancer with the young daughter of the make-up artist. I always prefer shooting in a landscape format (to get more elements in the frame...and tell more of a story), but I also had to resort to a vertical format to shoot the Baris and Legong dancers in a traditional pose. Both of these images have their uses, and I'm not saying one is better than the other...but the landscape format lends itself better to my kind of shooting style.