The Soundslides Revolution

Joe Weiss, the creator of Soundslides is a multimedia producer and a software developer. His popular program has enabled anyone willing to pay $40 to combine still images and sound in a functional mutlimedia package for posting on the web, and has simplified how the way images are conveyed to readers of online news services. I've used it, and will continue to use it, for my multimedia slideshows. In fact, I prefer showcasing my photography work with Soundslides rather than regular HTML galleries, since I can add music, ambient sound recorded during my photo shoots, and interviews or narration. This adds what I call 'aural texture' to the images. Some detractors of the product (and there are many) find it too constraining and too simple. To each his own, I guess.

Many photographers and established news services (notably Mercury News of the Bay Area of San Francisco) use Soundslides to present news and features. It's an attractive, it can be tailored to one's esthetic requirements and it's a boon to photographers because it's a cinch to produce multimedia shows with it.

I just don't understand why CNN, New York Times MSNBC still insist in using their clunky slideshow viewers instead of Slideshows (or something similar).

There are many tutorials on Soundslides around, including one by the talented Martin Fuchs, but here's one I found on Popular Photography's website:
Popular Photography: Soundslides Tutorial

Photo Tours: Are You Paying Too Much?

Image from Supplicants of Bahadur Shaheed - copyright 2006 Tewfic El-Sawy

I've led many photo tours or "expeditions" (as I prefer to call them) to India, Bhutan, Cambodia, Nepal etc., and I'm currently setting one up in Bali...and little astounds me more than the prices of photo tours led by self-described 'experts'. Mind you, I'm talking of photo tours, and not of photo workshops which can be more costly to operate because of the hands-on tutoring, individual critiques, etc. Of course, there are photo workshops and there are photo workshops...but that's for another day.

Here's an easy real life example: a 2007 photo tour to Bhutan for about 12 whole days is offered at $5500 per person, on a double occupancy basis, and inclusive of the round trip airfare to Paro from Bangkok of about $700. Using round figures, the land cost for this photo tour is therefore about $4800.

Now let's keep things simple. Anyone doing a minimal amount of research will know that the Bhutan government-mandated land cost per day is $200...that includes room and board, meals, transportation and qualified guides. Taking this particular photo tour as an example, I calculated that based on the itinerary, the land cost is this: 12 days multiplied by $200 is $2400 per person on a double occupancy basis. That's what it should cost the photo tour organizer, but let's be generous and bump this up for incidentals, administrative costs, etc. and make it $2800.

This still leaves a gross profit margin of $2400 per person on the tour. Assuming 12 persons on the tour, we're looking at $28,800 for the tour organizer. Nice! And that's for two weeks of work. I'd love to annualize this for you, but I'm not that good with a calculator. And don't forget that the tour operator in Bhutan (as distinct from the tour organizer) is also making a profit out of the $200 a day government-mandated land cost.

It may be that some people are willing to pay that much for what they think is "expert advice and local knowledge", but I don't agree at all with this mindset. I'm all for people making a profit, but I think there's a difference between a reasonable amount of return and one that is over the top.

Ed Kashi's Curse of the Black Gold

Here's an interesting and topical piece of work by Ed Kashi. Purely documentary in nature and an eye opener as to the limitless greed of oil companies, and to the corruption that accompanies oil exploration and production in many parts of the world.
Curse of the Black Gold

James Nachtwey

"I don't use what's happening in the world to make statements about photography, I use photography to make statements about what's happening in the world."

James Nachtwey is probably one of the best documentary photographer out there. A recent interview with him can be found here.

(Photo by Daniel Cuthbert)

Motion Blur

I've recently experimented with a few techniques involving motion blur, especially in dance. Whenever I photograph dances as those in Bhutan for example, I favor shooting the rapid movements of the dancers with a slow shutter speed. To me, there's some degree of trial and error until I get the right amount of blur to impart movement rather than creating an abstract image. Using one the fastest digital cameras around (Canon 1D which goes up to 8 fps) allows me to shoot a bunch of images of a whirling Tsechu dancer, capturing his movements over 10-25 seperate images....all of which will be blurry if I used a slow shutter speed.

This is useful because I can then sequence all these shots (and repeat them if necessary) on the timeline of the wonderful Soundslides (my favorite flash-based slideshow maker), and if I keep the duration of each image under a second, I obtain a moving image of the dancer's motion, similar to the well known 'flip book' technique used in animations or in cartoons. The 'flip book' concept was pioneered by many photographers, but Ed Kashi produced one on Kurdistan quite recently.

To view my 'whirling' Tsechu dancer based on the above technique, drop by my Dancing Monks of Prakhar slideshow.

Motion blur can also be achieved in post-processing in Photoshop. The tutorial is found here.

Bobbie Goodrich, whom I met on a photo tour in Bolivia, has made a name for herself by doing just that. She photographs dancers, and post processes the images in Photoshop possibly using the same procedure. Her excellent dance portfolio can be found here.

There's no question that I much prefer the real thing, however there's a little something to be said about the post processing technique, although it's not my cup of tea.

Image from Dancing Monks of Prakhar-Copyright 2006 Tewfic El-Sawy

NG's Traveler Photo Contest Winners

I am always perplexed by photo editors' choices when judging photo contests like the one by the National Geographic's Traveler magazine. It appears that some 15,000 entries were received by the judges, out of which only 10 made the cut. Frankly, the results of the 2006 photo contest don't impress me at all, except for Anna Rhee's entry (#3) of an image made on the island of Santorini. To me, it captures the essence of Greek male identity. It's a good picture, but is it good enough to be a prize winner? I don't think so.

I suspect that many serious photographers are put off from participating (real professionals are not allowed to enter) because of the National Geographic's terms and conditions. To win provides good publicity and is a nice add-on to the resume, but not much else. Sour grapes? Maybe.

National Geographic's Traveler 2006 Photo Contest Winners

Ardh Kumbh Mela

Image from Sadhus of the Kumbh-Copyright 2001 Tewfic El-Sawy

The Ardh Kumbh Mela is currently in full swing in Allahabad, India. This is one of the holiest Hindu festivals, when millions of Hindus bathe in the confluence of the rivers Ganges and Yamuna. This year's festival marks the halfway point of the major Kumbh Mela, which Hindus celebrate every 12 years in Allahabad, where ancient scriptures say a drop of the nectar of immortality landed after a 12-day celestial war.

By the time the current festival ends on February 16, more than 70 million pilgrims are expected to have bathed in the river.

I attended the Maha Kumbh Mela in 2001 which was held at the same spot, and I always marveled as to how women kept their modesty and poise while bathing. This article speaks to that: here

I photographed the naked sadhus in the above picture ( see my Sadhus of the Kumbh Mela multimedia gallery of my main website) in January 2001 during the massive festival. Due to complaints by the sadhus' religious authorities in Allahabad, photographers were not allowed to photograph the nagas during their march to the bathing site. We were ordered by the police to kneel on the ground and not aim our cameras at the passing sadhus, Naturally, all of us photographed using wide angles from our kneeling positions. The sadhus knew what was going on as they could hear the collective shutters! Notwithstanding, some of the police used their 'lathis' (bamboo canes) on a few photographers for breaking the rules. So we all had to suffer for the transgressions of a few.