Saturday, July 3, 2010

FPW Istanbul: Intro To Multimedia Class

I was privileged to teach a class titled Introduction To Multimedia for the third straight year at this year's Foundry Photojournalism Workshop which was held in Istanbul June20-26.

As a couple of my class attendees are in the process of shopping their projects to publishers, I'm unable to publish them until they're made public by their creators. However, I am able to show an image from each project along with a description.

The attendees were Brenda Bravo, Pierre Claquin, Yagmar Dolkun, Pedro Gomes, David Hagerman, Jeroen de Kluiver, and Roubina Margossian.

1. Brenda Bravo: Kadikoy Underground Puppetry

Photo © Brenda Bravo -All Rights Reserved

Brenda's project documented an underground puppetry group in Kadikoy, from applying their make-up to walking in the streets performing to crowds. Apart from recording ambient sound of the performances, and of the street, Brenda also narrated the piece which was titled Kadikoy's Underground Puppetry. Her subjects attended the final show wearing the same make-up they use during their walk-abouts in Kadikoy.

2. Pierre Claquin: Leaves of Tolerance

Photo © Pierre Claquin -All Rights Reserved

Pierre's project was titled Leaves of Tolerance, and documented Nick Merdeyan (the self described Lord of the Leaves) who, from a small store in Istanbul's Grand Bazaar, produced artistic masterpieces of Islamic calligraphy on leaves, dried according to a proprietary process, and sold all over the world. Merdeyan, an Armenian Turk, narrated the piece showing his Islamic, Christian and Judaic motifs using Qur'anic script, underlining the similarity of the three Abrahamic traditions.

3. Yagmar Dolkun: Live Broadcast

Photo © Yagmar Dolkun -All Rights Reserved

Yagmar's project was on CNN-Turk, which took us into the back room of the television station before going live with a sports program. Yagmar chose to produce the piece in black & white without any narration, leaving the images tell the story, and relying on a mesmerizing music loop. The project can be seen by clicking here.

4. Pedro Gomes: Esmeray

Photo © Pedro Gomes -All Rights Reserved

Pedro's project documented Esmeray, a transgendered actor, a sex worker, a feminist, a Kurd and a home-keeper. Inspired by the NY Times' series One In 8 Million, Pedro interviewed Esmeray, and followed her through the day. He photographed during her theater perfromances, at a feminist meeting and later on at her home. Pedro's wife, Asli Maci, provided the excellent voice-over narration.

5. David Hagerman: The Ferry Boats of Istanbul

Photo © David Hagerman -All Rights Reserved

David chose to document the ferry boats of Istanbul as a symbol of this city. The ferries are part of the daily life for many Istanbullu, and beyond providing a commute alternative, also provide an escape from the daily tribulations of the city. A travelogue of sorts, David used ambient sound recorded on the ferries, the sound of their motors, the din of the passengers and a couple of short interviews.... one with a young man who claimed that "girls are like grains of sand".

6. Jeroen de Kluiver: The Alevi

Photo © Jeroen de Kluiver -All Rights Reserved

Jeroen documented the Alevi in black & white project. The Alevi are a religious sub-ethnic and cultural community in Turkey. Its tradition is related to Shi'a Islam and Bektasi Sufism, and its worship takes place in assembly houses rather than mosques. Jeroen photographed and recorded a ceremony known as cem, which features music and dance and during which both women and men participate.


7. Roubina Margossian: Symbolism In Religious Tradition

Photo © Roubina Margossian -All Rights Reserved

Roubina is one of the recipients of a scholarship to attend the Foundry Photojournalism Workshop. She produced an audio slideshow titled Symbolism in Religious Tradition, focusing on a religious service in an Armenian church. Narrated by Father John of the church, Roubina's fondness for photographs of reflections is evident in the project!

Toby Morris: Animal Charmers

Photo © Toby Morris -All Rights Reserved

Toby Morris is a photographer based in Los Angeles and New York. Having attended the Art Institute of Chicago and the University of Texas at Austin, he worked for various newspapers in Chicago, New York, New Hampshire and Connecticut.

I liked his environmental portraits of animal charmers in India. These are mostly of snake (cobra) handlers, as well as monkeys. Snake charming probably originated in India, especially that Hinduism holds snakes to be sacred. Indians also considered snake charmers to be holy men and traditional healers.

In India, the Kalbelia and Sapera are nomadic tribes nomadic that specialize in snake charming, and are clustered in the Thar Desert of Rajasthan.

As for monkeys, one of the most popular Hindu gods is Hanuman, who is said to be an incarnation of Shiva, and revered for his bravery, strength, loyalty, devotion, and dedication to justice. The monkey handlers are called "madaris", and are frequently seen at festivals and on the Indian roads.

I am repulsed by the exploitation of animals, but I also realize that snake charming and having monkeys perform silly tricks are activities that support many families in countries like India.

via Extrajection's Twitter page.

Friday, July 2, 2010

POV: From Afghan Girl To Martin Scorsese?

Photo Courtesy The Guardian -All Rights Reserved

I was saddened by reading an interview with Steve McCurry recently published in The Guardian in which he shares the news that he's preparing a project in which he would be taking portraits of 30 celebrities in their home cities: Robert De Niro and Martin Scorsese in New York, Amitabh Bachan in Mumbai. A sort of project that Annie Leibowitz would do...but Steve McCurry? C'mon!

I was also saddened to read that McCurry would be setting the shots, and choreographing the image-taking...the Leibowitz's style. While I'm told by various participants on his photo trips that he frequently stages scenes during his workshops, photographing celebrities requires a different type of discipline, and a different type of mind-set....and is not one hard core travel photographers would be stylistically and intellectually willing to do. Maybe I'm too idealistic?

Naturally, this project will be financially rewarding for McCurry and I wish him the best of luck with it....however, I can't help but feel a twinge of regret (and sadness, as I said twice already) that we are witnessing the dimming of a star.

After all, McCurry is one of the pioneers of travel photography and is an inspiration to many who follow his style....and to read of this new project is an uncomfortable reminder that things are changing in this industry, and that photographers (whether involved in travel, documentary and editorial) need to be sharp, varied and inventive. Resting on one's laurels is always a fatal mistake, and this is especially true in this tumultuous industry.

A photojournalist presented a body of work during the Foundry Workshop in Istanbul, but the consensus was that it was old and passe...and not relevant to the present day and age...photographers or photojournalists clinging to their past are like people breathlessly running after a Third World public bus on a pot-holed road, with young passengers hanging like a bunch of grapes from its doors and windows....and no available toe-holds in sight.

So let's be smart....let's learn multimedia, Final Cut, Adobe Premiere, Soundslides...audio techniques...learn DSLR videography....let's use Twitter & Facebook intelligently...do anything to find a toe-hold. If not, we'll be left inhaling exhaust fumes and waiting for celebrities to show up (if we're lucky).

Thursday, July 1, 2010

Jon Guido Bertelli: Last of Zapatistas

Photo © Jon Bertelli -All Rights Reserved

Jon Bertelli is an international photographer, who currently resides in Vancouver, British Columbia, but was raised in Florence and academically trained in the visual arts there and in Oslo.

He lived in Mexico in the late nineties, and documented the last surviving Zapatista fighters; the veterans of the 1910-20 Mexican Revolution of the South, led by the famed (and feared) Emiliano Zapata. While Pancho Villa's revolution was concentrated in the north of the country, Zapata and his insurgents represented the south.

Jon photographed the surviving insurgents; most of which were over 100 years old. These were idealistic men and women who sacrificed their well-being and lives to follow Zapata. Many were decorated as war heroes by the Mexican government, and some have been recognized internationally for their bravery.

You have the choice of seeing Jon's The Last of the Zapatistas on his website, or on FOTO8 where his portraits have been made into an audio-sideshow.

The audio track used is La Soldadera by Garcia-Pujol and Jimenez. While it's a beautiful and appropriately evocative piece, imagine if the audio of the elderly Zapatistas' voices, telling us a bit of their exploits, was also included!!

Tuesday, June 29, 2010

First 2011 Photo Expedition


I'm on my way back to New York from teaching a multimedia class at the Foundry Photojournalism Workshop in Istanbul, and thought it opportune to announce that my first photo~expedition in 2011 will be to Gujarat, India. I have yet to pinpoint the dates, but I am leaning towards January 23 to February 6, 2011.

The Travel Photographer's In Search of Sufis photo~expedition will focus on the visual exploration of the syncretism which exists between Islam (especially Sufism) and Hinduism. Syncretism is the combination of disparate or contrary beliefs, often fusing practices of various traditional philosophies.

This expedition will travel in the southern peninsula of Gujarat, and photograph at the various Sufi shrines/darghas as well as Hindu temples, where a multitude of pilgrims arrive to supplicate. It will also include a foray in the tribal belt of Kutch to document the unaltered ways of life of the area, to include religious rituals exclusive to Gujarat.

The maximum number of participants is 5 (excluding myself), and participation will be based on a brief portfolio review. This photo~expedition is not for first-timers to India, is for self-starters and requires an interest in Indian religious traditions. It will include coaching in multimedia techniques and story-telling.

The photo~expedition will commence and end in Ahmedabad, which is well served by flights from Delhi and Mumbai. Hotel accommodations will range from 4-star hotels in the larger cities/towns to whatever is available in the more remote areas.

Details of the photo~expedition and its itinerary will initially be announced to my newsletter recipients in a few days, and then to the general public via this blog.

This photo~expedition is inspired by the remarkable work of my friend Asim Rafiqui as per his The Idea of India project.

My Work: Belly Dancing In Istanbul

Photo © Tewfic El-Sawy-All Rights Reserved

Due to the distance between the historic Sultanahmet district and Kadikoy where the Foundry Photojournalism Workshop was based, I wasn't able to photograph much of Istanbul...except for some grab shots with my new GF1.

However, some of us did manage to take some time and attend a folkloric dance program in Sultanahmet, where we were allowed to photograph at will.

The above photograph was made at the Hocapasha Cultural Center in Eminönü during a wonderful performance. The dance was under black light or UV light...and was minimally color corrected.

I used my Canon 5D Mark II and a 70-200 2.8 Canon lens....and yes, my Foundry class attendees; it's a vertical!!!

Monday, June 28, 2010

Chico Sanchez: Andalucian Flamenco

Photo © Chico Sanchez-All Rights Reserved

Here's another lovely audio slideshow by Chico Sanchez, a freelance photographer based in Mexico City. Chico worked in Venezuela, collaborating with Reuters, European Pressphoto Agency, Agencia EFE, and freelances for various newspapers and magazines.

The title of this audio slideshow is The Angel.

This time, Chico documents the spiritual side of Flamenco, whose mystical, almost religious origins, are almost forgotten by the admirers of this genre of music and dance. Chico is well placed to do so...he's a native Andalucian, a musician and was involved in flamenco himself.

I would have loved to see a flip book effect in Chico's work...various shots of a dancer (or singer for that matter)...and arranged in such a way that playing the slideshow would have animated these almost-identical stills.

The well-known flamenco style of music and dance is emblematic to the culture of Spain, although it is actually native to only one region: Andalusia.

Gypsy, Sephardic, and especially Arabic musical influences are found in flamenco. For me, one of the best flamenco singers is Diego Ramón Jiménez Salazar, known as El Cigala, whose album Lagrima Negas fusing Cuban rhythms and flamenco vocals, made it an international success.

Foundry Workshop (Istanbul) Signed Off

Photo © Anamitra Chakladar-All Rights Reserved

Photo © Anamitra Chakladar-All Rights Reserved

Well, what is there to say except that I had a blast! The Foundry Photojournalism Workshop has ended with a marathon session to show the work completed by some 130-odd photographers who joined it. It was a visual overload of photographs and multimedia projects, and was followed by the customary beer bash at a nearby bar.

My Introduction To Multimedia class was attended by a cross-section of the nationalities represented at the Workshop, and I was extremely pleased to work with Brenda Bravo, Pierre Claquin, Yagmar Dolkun, David Hagerman, Pedro Gomes, Jeroen de Kluiver and Roubina Margossian. The class also benefited enormously from Anamitra Chakladar's expertise in audio editing and multimedia. He patiently fine tuned some of the class's audio tracks...thank you, Anamitra!! The class's output ranged from black & white documentary work to travel and cultural projects.

There's no other way to describe it, but the success of the Foundry Photojournalism Workshop -whilst based on the unstinting generosity of the instructors and its staff- is due to Eric Beecroft's vision, tenacity, enthusiasm and his being just Eric.

Next year? South America...perhaps Argentina, perhaps Brazil. Incha'allah.

The top photo was made during my presenting a couple of personal projects at the start of the Workshop, while the bottom photo was during a class with Yagmar and Brenda looking on.