POV: Egypt's Iconic Revolutionaries

Photos © Kim Badawi-Courtesy The Independent

The Independent newspaper has featured the photographs of some of the young Egyptian revolutionaries who, against all odds, overturned a despised regime in a matter of days. It is these young people who made history, not only their own country's, but of the world's.

These are the young men and women who led a populist uprising against Mubarak and his repulsive henchmen and sycophants...these are the young men and women who took the West's proclaimed democratic values as their own, and fought for them...not only paying lip service, not mouthing bromides...but with real action, risking their lives and futures. These are the young men and women who are the future of Egypt, and who'll take it to where it deserves to be...these are the young men and women who will accept no foreign influences...these are the young men and women who scoffed at the naysayers who described them as nothing more than errant juveniles, and who give the finger to the sclerotic and biased Western pundits who see Islamist bogeymen everywhere...these are the young men and women who have shown us that the people of the Middle East want democracy...their own democracy, not one imposed by others...these are the young people who must be immensely proud to be Egyptians.

I was also amazed by reading this, from The New York Times (March 6, 2011):

Egypt’s popular revolution was the work of men and women, bringing together housewives and fruit sellers, businesswomen and students. At its height, roughly one quarter of the million protesters who poured into the square each day were women. Veiled and unveiled women shouted, fought and slept in the streets alongside men, upending traditional expectations of their behavior.

Jonathan Owen's in his accompanying article calls these photographs "Portraits of Courage", and indeed they are.

Finally, about the photographer. Kim Badawi, a 30-year-old documentary photographer of French-Egyptian descent, endured beatings, bullets and tear gas to find out what these young revolutionaries went through, and these portraits are his work.

POV: The Part I Like In Travel Photography

The part I like a lot during my photo-expeditions/workshops is when I revisit an area or a village, and bring prints of the photographs I had previously made there. More often than not, the people remember me either before or after I hand out their photographs. It's a small way to give back to the community, and demonstrates to those who were willing (or unaware) subjects that I keep my promises when I tell them I'd be back with their portraits.

In Ahmedabad, I returned to the area of Ahmed Shah's mosque and his shrine, and found the keeper of the tombs as well as the woman who makes and sells paper flowers. They were thrilled with their photographs. It didn't stop one of them to cheekily but smilingly ask me for "baksheesh" but I laughed it off.

Photo © Kantilal Doobal- All Rights Reserved

In a tribal village close to Bhuj, I was very popular with a group of women and children as I handed out their pictures, and one woman was extremely proud to show off a picture of her in all her finery.

Photo © Tewfic El-Sawy-All Rights Reserved

It takes a little effort to find, edit and print these pictures before each trip, but it's well worth it. It goes a long way to gain the trust of the people I photograph and will photograph anew. There were some areas I didn't revisit this time, but I still carried some prints of those I had photographed, which I gave to either hotel keepers, fixers or locals I know will eventually pass them on to the rightful people.

Photo © Kantilal Doobal-All Rights Reserved

POV: Missed Opportunity?

Photo © MOHAMMED ABED/AFP/Getty Images (Via denverpost.com)

As readers of this blog know, my In Search of Sufis of Gujarat Photo-Expedition coincided almost perfectly with the revolution in Egypt, and I was torn between my commitment to its participants to continue leading it as if nothing was happening in my homeland...and flying off to Cairo and cover the events as best I could.

I stayed on. It was a difficult decision and certainly a missed opportunity to get involved in Egypt's historic moments, but I had a commitment to the group of photographers who chose to accompany me on this trip.

Had I sensed that I needed to be there because of dangerous turn of events, I would have taken leave of my group, and I know they would have understood and supported my decision to be in Cairo instead. But that did not happen and all was safe. Was it a missed opportunity for me to cover the events at Tahrir Square? Of course. But it was not meant to be. Had I not have a commitment to fulfill, I'd have been amongst the first to be there.

I was asked by a number of well-wishers, friends and acquaintances whether I'd return to Egypt and take part in the restructuring that is bound to happen. As much as I'm flattered by the thought, I've been away from Egypt for too long...it's up to the younger generation to remodel their country in the shape and form they want it to be....and I know they will eventually succeed. Once freedom is tasted, there's no turning back.

Perhaps it won't be an Utopian democracy...there'll be disappointments...it'll be imperfect...but it'll be theirs, and they deserve it after 60 years of deprivation, humiliation, and inequality.

POV: Omid And Why We Will Never Win

Photo © Michael Kamber- Courtesy The New York Times

Michael Kamber is a well known New York City-based freelance writer and photographer for The New York Times. He worked in West Africa, the Middle East and the Caribbean, covering conflicts in the Ivory Coast, Congo, Liberia, Haiti, Afghanistan and Iraq. Apart from frequently-published photo essays in The New York Times, he also authors a journal of his Afghanistan experiences. Its entries began in December 2010 and appear on the newspaper's LENS blog.

His latest entry -along with over a dozen of his excellent photographs- is on yesterday's LENS blog under the title of Deeper Into Fathomless Afghanistan, and reading Michael's journal entries, I was compelled to leave a comment on the blog.

Here's one of the entries in Michael's journal that prompted my comment:

He writes:

Beside me, an Afghan, clearly an interpreter, introduces himself in accented English as Bob.

“What’s your real name?” I ask him.

“My name’s Omid. But on the first day at this job, the sergeant asked me my ‘terp’ name. I told him: ‘I don’t have a terp name. My name is Omid.’

”Omid is too complicated for us to remember,’ he told me. ‘From now on, your name is Bob.”

My comment on the LENS blog:

"It's too bad that the guy who uttered this insulting and ignorant nonsense to the interpreter hasn't realized that he's insulting Omid by his stupidity and arrogance. What if the roles were reversed, and the Afghan was to tell a Robert that this name didn't roll off his tongue easily, and he'd be called Mohammed from now on? How would Robert feel?

Omid's is entitled to be proud of his name...it probably has a long lineage...and since we are occupying his country, we ought to show immense respect to those who risk their lives for a few dollars a day and work with the US army. Learning how to pronounce their names is the civil and respectful thing to do. Omid is not a stray pet adopted by the sergeant.

My hat's off to Mr Kamber for quoting this and other statements in this piece...i'm sure he's as dismayed as I am by them."

Reading the other entries added to my long standing pessimism; we will never win. When we are unable (or unwilling) to respect people who help us by risking their lives, we will gain no allies unless we abet their corruption. They, in turn, view our presence in Afghanistan as a cow to be milked, and eventually will stab us in the back.

Another thing. Just look at the expression of the Afghan in Kamber's photograph above this post. He's holding a copy of a Chicken Soup For The Soul given to him by a well-meaning US charity. Who dreamed of sending a collection of "inspirational" platitudes (and in English) to Afghanistan? I obviously can't speak for this Afghan, but I bet he looked at the book with amusement, and eventually guffawed with his friends at the naivete of the Americans.

Chicken Soup For The Soul to change Afghanistan? The mind boggles.

Addendum:  I've received a few emailed comments on this post.

One from a frequent reader of this blog who suggests that my post came across as anti-military. That's incorrect. I am anti-war...especially wars that are unnecessary like the Iraq war, and those wars that devolved into aimless havoc and propping an unsupportable government, like the war in Afghanistan...and the least we -and our military- can do is respect those Afghans or Iraqis who work for us, at the risk of their lives.  I'm hopeful the individuals depicted in Mr Kamber's journal are the exception.

The other email comments from a handful of readers agreed with my point of view.

WTF?! The Entitlement (or The Me Me) Syndrome

Photo © Tewfic El-Sawy-All Rights Reserved

Perhaps fearing I had mellowed, I was prompted by a number of readers to write an acerbic rant, a pontificating diatribe, a raging soliloquy about something and/or stuff that irritated me. I really had an embarrassment of choices...I could've ranted about the tourists who abruptly stop and just gawk on the narrow sidewalks of the West Village...I could've raged about the mindless people who walk while texting on their Blackberries and bump into me...or I could've complained about the combative mothers/nannies who propel their prams/strollers into my shins because I hadn't promptly jumped out of the way when we meet on the same sidewalks....or of course, about the dog owners who encourage their best friends to take gargantuan dumps near my building but don't clean after them; perhaps hoping that the unobservant step on it.

But these are small annoyances that are part and parcel with living in New York city, and are undeserving of a monumental rant...and also have nothing to do with photography.

No, my plump and juicy rant is on a misplaced sense of entitlement that some established photographers seem to have.

Let me begin with this preamble....I've started The Travel Photographer's blog four years ago, and since then, it attracted a healthy number of readers and visitors. It established itself as a blog to read amongst a certain segment of the photography industry, and earned me the attention of many photographers (pros, semi-pros and non pros),  photo retailers and industry experts.

It's no secret that I use this blog to publicize my photography and my photo~expeditions, however I mainly use it to give exposure to emerging photographers. Like me when I started some 10-12 years ago, these emerging photographers, especially if they're not Westerners, have a difficult time getting recognition for their work, especially in the environment we find ourselves in.

I knew no one in the photo industry when I started my photography...I knew very few photographers when I started The Travel Photographer's blog...and I started The Travel Photographer's Photo~Expeditions on a whim, not really knowing what I was getting myself into. To this day, I never asked a photographer or photojournalist for help in promoting my business....I never asked any of the hundreds of the participants who joined my photo~expeditions to refer my trips to their friends, family members, etc. I never uttered/wrote the words "if you know a friend or two who's interested in my trips or my photos, pass my name/website along". All I've done is slowly build the brand brick by brick.

I have no sense of entitlement...I am not entitled to anything...I do my own thing without burdening people with requests for introductions, for referrals, for links to my website/blog on others', for freebies, etc. With the exception of being part of the terrific Foundry Photojournalism Workshop "family", I haven't joined collectives...I haven't joined pseudo-clubs. I could have...but didn't. I am perfectly content with what I am doing and achieved so far.

It's perhaps because of this that I find the attitude of a few photojournalists-photographers to be really puzzling. They ask me to feature their work on The Travel Photographer blog...which I gladly do. Then they ask again...and again. And I do and do again. But then it hit me...why do they think it's okay to ask me to feature their work, to spread the word about their photo workshops and their inflated resumes...but have no intention of ever reciprocating that courtesy in any fashion? Is it because they have an overdeveloped sense of entitlement, a narcissistic personality disorder? Is it because they think they're doing me a favor? Is that what they think 'networking' is? I just don't get it.

Let me be very clear...the likes of John Stanmeyer, Gary Knight, Ron Haviv, Phil Borges, Maggie Steber, etc are the most gracious photographers I've come across (and none of them asked me for anything)....and I've had immense pleasure to showcase their incredible work whenever I come across it, and to learn from it....and I'm happy to continue doing so.  Many photographers (Chico Sanchez is one of those) are equally generous with links and coverage of my work on their own websites and blogs, and many others are appreciative of being featured on my blog. No, this is about a few others...some I met personally and others I didn't...who seem to think that I am somehow obliged to show their work, expected to praise it, and publicize their workshops/activities. This sense of obtuse entitlement drives me bonkers.

I repeat: I Am Not Obliged To Feature Your Work And Your Photo Workshops Because You Think I Ought To.

What I mostly do on this blog is publicize and give exposure to the work of emerging photographers...some of whom are in Bangladesh, India, Egypt, Indonesia, Palestine, Brazil, Argentina, Mexico, etc....it's the work of those photographers that I care about, and what my readers appear to be interested in. And if I do feature the work of established and renowned photographers and/or photojournalists, once, twice or a million times, it's because I'm impressed by it.

Capice? Good...now let's move on.

End of rant.

POV: More Branding For Free

I think I knew very early on in life that one of the most critical and fundamental factors in any business, whether online or not, was branding. As I entered the online world for my photography business, I realized that online personal branding was key to generate a distinctive internet personality/presence, and that's how I snagged The Travel Photographer label...for my blog, a backup blog, website(s), social media such as Twitter, Facebook and everything in between including an email address, business cards, and even items of my own clothing.

If I had a penny for each time I hear other travel photographers how clever I was in snagging The Travel Photographer label/brand before they did, it'd pay for a new Canon 5D Mark II...I exaggerate of course, but I heard that said a lot.

I also knew that my name was not the easiest to pronounce (at least for Americans...it's no problem with other nationalities), so an alias was the smart thing to do. It always gives me a kick when I'm in a photography function and I'm introduced as "Tewfic...y'know, The Travel Photographer".

All right, I rambled enough about personal branding. Through one of my Twitter followers, I learned of About.me which is a free website (technically still in beta) that allows anyone to build a an attractive personal profile that points users to one's content from around the web.

Naturally, I snagged The Travel Photographer and now have my very own personal profile. Will it be useful? I don't know yet but at the very least I appropriated and protected my brand by doing so.

If you have a personal brand, you may want to do the same.

January? Must Be TTP's 4th Year!!!

Photo © Tewfic El-Sawy-All Rights Reserved

As I'll be traveling on January 24 when it's officially The Travel Photographer blog's fourth birthday, I thought why not observe it today...?

I started this blog on January 24, 2007 with a post on the Ardh Kumbh Mela, which was being held in Allahabad in that year.  Since then, I've posted over 2116 posts, posted about no less than 900 photographers and ranted, pontificated, expressed considered and unconsidered opinions on issues, important and trivial....gleefully aroused the ire of a dogmatic few and provoked the generous compliments of many.

I learned of new and interesting things about photography, world history, geopolitics, culture, religious and non religious traditions...I was influenced by the work of those I featured here...I was taught a few life lessons that I would never would have known otherwise....my name became synonymous in some circles with The Travel Photographer; what a case study in real-life marketing and branding this is!...and, because of the reach and popularity of this blog, my photo~expeditions got such that I had to reduce the number of allowable participants.

I made friends in the photography industry...many new acquaintances and a number of good friends across the globe...through my photo~expeditions, during my involvement in the Foundry Photojournalism Workshops, and elsewhere... I am glad to have more than 1000 "followers" on this blog, thousands of newsletter subscribers, and a thousand or so more on the social networking sites such as Facebook plus Twitter. My two self-published books have sold more copies than I expected...so life's good.

What else is there to say? I could go on and on...but I 'll summarize it by saying I look forward to the continuation of this blog's delightful journey into 2011...and I'll continue to encourage emerging photographers and photojournalists, especially those from the non-Western world...and hope to see more of them on The Travel Photographer's blog!

End Of Year Photograph

Photo © Muhammed Muheisen/AP

This is my 2116th post since I started The Travel Photographer blog, and with it I'd like to close 2010 with this lovely photograph by the very talented Muhammed Muheisen.

It appeared on the LENS blog of the New York Times a few days ago, and it shows three young refugee girls; two from Afghanistan and the third from Pakistan, attending a Qur'an class in a mosque in Islamabad. You may want to click on it to enlarge it.

The expression of the cute middle one is just sublime...especially that her cloth prayer book is upside down. Not very attentive are we now? And the "I Love NY" hoodie worn by the third girl kept a smile on my face for a while.

I hope it does the same to my readers.

Till next year!

POV: Is This The Xmas Spirit?

AP Photo/Hussein Malla/ Courtesy Denver Post PBlog

The human genius in reducing religious and/or social events down to nauseating manifestations of mindless consumerism, bad taste and repulsive glitz is seemingly alive and well in all major cities, minor cities and wherever there's the need for marketing, selling and buying.

However the 2010 award for the most loathsome display of this talent belongs to the Emirates Palace Hotel (Abu Dhabi), whose general manager Hans Olbertz, was quoted as saying the 43-foot (13-meter) fake fir has 131 ornaments that include gold and precious stones including diamonds and sapphires valued at $11,000,000.

Notwithstanding the fellow's subsequent apologies, and his admission that it was "over the top", the tree stands as a symbol of what Christmas (and every other religious observance) should not be.

ROFL: So You Don't Look Like A Bozo?

Photo Courtesy PDN

Photo District News magazine has a section called Objects of Desire, which features photo related gear that photographers ought to drool over....at least, that's what they're supposed to do.

It's not a feature to really take seriously, but I sometimes drop by to marvel at what is being pushed...and occasionally what I see gives me a good laugh. 

But never as much as at the latest product featured which is the Lino Pro Field Jacket (as seen in the above photo)...a gawd-awful concoction of a jacket that's described by the PDN writer as one of the "snazzier" products seen at the Photokina show a few months ago.  Not only that, but he goes on to write that "this jacket is trim and form fitting so you don’t look like a bozo."

Er...no. Wearing this jacket would make me (and anyone else) look like a bozo, and deservedly so.  Not a single self-respecting photographer, photojournalist, serious hobbyist who would be seen dead in a jacket like that.  Whoever dreamed this jacket up hasn't a clue as to what photographers like and need to wear...or doesn't care...whatever they do/will is certainly not a $480 stylish padded shoulders jacket with a "full Italian" design . Moreover, the majority of photographers would spend $480 much more intelligently. So an object of desire? Um...not in the least. Imagine this Italian styled jacket in Helmand Province or in the favelas of Rio or even in the placid Thar Desert of Rajasthan !!!

I found the simplest and least flashy to always be the best option. A $45 safari jacket (with no logos) from a well-known sport outfitter is one of my favorites, as well as a durable black canvas jacket (unfortunately now no longer sold by GAP).  I've seen similar simple jackets worn by photographers in the field, and they certainly don't look like bozos....and they're happy they weren't fleeced out of $480.

POV: Weeding The Subscribers: It's Time Again

It's the time of year when I have to start weeding (a more delicate term than 'purge') inactive subscribers from my newsletter mailing list. I have to do this about twice a year now.

Campaign Monitor tracks the number of newsletters opens for each subscriber, so it's easy to determine the rate of open of each. If that rate is less than a certain percentage, the subscriber is dumped. As I use a pay-as-you-go option to send out my newsletters, each subscriber costs me...and if there's no reasonable open activity during a 12 months period, then it's to the dumping grounds we go.

It's more efficient for all concerned, saves me money and un-clutters the disinterested subscribers' mailboxes. Last year, I weeded out about 300 subscribers. The total amount of weeded subscribers over the past 3 years is now about 900. Nothing to sneeze at!

POV: Face Covered, Women Only...Must Be Islamic!

Photo © Gali Tibbon/Agence France-Presse/Getty Images

 But it's not. The caption as per the WSJ Photo Journal is this:

"A member of the religious group Women of the Wall wore the traditional Jewish prayer shawl of men called the tallit during a prayer service at the women’s section of the Western Wall in Jerusalem Monday."

So the traditional Jewish prayer procedures at the Western Wall call for the separation of women from the men, and for women to cover their heads and faces?

Huh? You mean like in traditional Islam?

Gosh.

POV: Passport Renewal

Here's a statement which could irk all the Libertarians and Tea-Party grumblers: I had an excellent experience with the US State Department's Passport renewal process! Yes, a government office!

I had to renew my soon-to-expire passport, and I decided to jump the gun a month or two earlier than necessary.

I wanted my old one back as it still has a number of valid visas....and as I suffer from acute separation anxiety if I don't have my passport within reach (no, I'm not making this up nor is it hyperbole),  I chose the expedited route to speed up the process, and downloaded/filled the necessary application, and included a note saying that I needed the old passport back.

As I also wanted  extra pages, I spoke to a State Department employee to clarify whether I needed to pay extra. She checked and responded affirmatively.  I enclosed the fees required, and sent it off by Priority mail.

A few days later, I get a call from the State Department informing me that I had overpaid. We resolved the snafu in a couple of minutes, and within a few days, the new passport arrived along with the old one.

Easy, simple and very efficient.

Of course, my passport photograph looks like a mug shot...but that's a different matter.

POV: My Photo~Expeditions: Verdicts

Wade Laube is a photo editor, a photographer and an opinionated ranter (the two last descriptions make him a "my-kind-of-guy"), and he's penned an interesting post on his blog titled Buyer Beware of the Dodgy Workshop.

He says this:

"The travel industry has offered photography-themed holidays for years. Hobbyists spend their annual leave somewhere picturesque, get expert tuition and access to expensive gear they wouldn’t normally, while the organisers make some money and everyone’s happy. But what aboveboard entrepreneurs started, parasites are mimicking."

And I couldn't agree more. Caveat Emptor is the rule here. I would also add that great photographers are not necessarily great travel photography workshop teachers and/or leaders. Some are and others are not.

Once again, here's Wade's wisdom:

"Ultimately what you need to ask yourself is whether you are purchasing a valuable educational experience. Are you just paying for the brand-value of a big name photographer and getting little more?"

Having one of the highest number of "repeaters" (returning participants) in the business is a fillip that I wear with great pride, and as one of the few in this business who's decided to reduce the number of expedition participants to a maximum of 5, I thought it useful to once again feature the verdicts of my past photo~expeditions as follows:

Bali: Island of Odalan Photo~Expedition

Tribes of Rajasthan & Gujarat 2010 Photo~Expedition

Bhutan Photo~Expedition 2009

Morocco-Gnawa Festival Photo Expedition 2009

Theyyam of Malabar Photo~Expedition 2009

POV: Geniuses!

This will probably be one of my shortest POVs...but Stewart and Colbert are absolute geniuses! I prefer the "Keep Fear Alive" rally...its premise is so satirical that I can't wait to see the faces of the right-wing/tea baggers clowns on Fox.

But isn't it also sad that it's up to Comedy Show personalities to satirically stand up to extremism, and to highlight the hypocrisy of our politics, politicians, and mainstream media?

POV: Hypocrisy

Photo © AP Photo/Bernat Armangue/Courtesy The Big Picture
This post has nothing to do with photography, but I've been thinking about the summer madness that enveloped us in the past few weeks; a madness that came to boil with the orchestrated (and well-funded) demonstrations against the so-called "Ground Zero Mosque" and of course, our media's mendacious efforts to sensationalize all this even further...as well as the subsequent attack on a Muslim Bangladeshi taxi driver in New York City by a 21-year-old knife-wielding Michael Enright...and other acts of violence against Muslims in the Deep South and Upper New York state to name just some I've read about. This is against the backdrop of Mr Obama's enemies eagerly labeling him a Muslim...as if it mattered if he was.

In this frame of mind, I came across Stanley Fish's opinion in The New York Times (link further on), in which he writes:

"The formula is simple and foolproof (although those who deploy it so facilely seem to think we are all fools): If the bad act is committed by a member of a group you wish to demonize, attribute it to a community or a religion and not to the individual. But if the bad act is committed by someone whose profile, interests and agendas are uncomfortably close to your own, detach the malefactor from everything that is going on or is in the air (he came from nowhere) and characterize him as a one-off, non-generalizable, sui generis phenomenon." - Stanley Fish: We've Seen This Movie Before

How very (and sadly) true! Imagine the frothy headlines and cable news had this Michael Enright fellow been Muslim, and had stabbed a Christian, Jewish or even, dare I say it, an agnostic cab driver!

But in my view, here's what Mr Fish's excellent opinion piece left out:

Much hot air has been expended in calling on moderate Muslims to "rise" and "excoriate" the radical Muslims who commit acts of violence. Why should the large majority of the 1.6 billion Muslims, who are not fools, take that transparent bait? The radical Muslims who commit these acts do them as individuals, not as representatives of their faith, tradition or religion. They can say that they do so as loudly as they want...as much and as stridently as the right-wing radicals say that only they speak for real Americans...but they don't.

And whether the right-wing clowns like it or not, Mr Obama's statement at his inauguration is a fact.

"We are a nation of Christians and Muslims, Jews and Hindus, and nonbelievers. We are shaped by every language and culture, drawn from every end of this Earth."

By the way, Muslims in America are responding to the intimidation by producing ads such as this:

9/11 Happened to Us All

POV: Robert Fisk Is A Mensch

What does Robert Fisk of The Independent have to do with photography? Probably nothing, but he's a mensch, which in Yiddish means "a person of integrity".

And why do I think that? Well, it's about his opinion piece on Octavia Nasr of CNN (or I should say, previously of CNN) and the British ambassador to Beirut, Frances Guy (still at her post, as far as I know).

Here's a quotation from this opinion piece published in The Independent of July 17, 2010:

"I loved the "controversial" bit – the usual "fuck you" word for anyone you want to praise without incurring the wrath of, well, you know who. The Foreign Office itself took down poor Ms Guy's blogapop on old Fadlallah, thus proving – as Arab journalists leapt to point out this week – that while Britain proclaims the virtues of democracy and the free press to the grovelling newspaper owners and grotty emirs of the Middle East, it is the first to grovel when anything might offend you know who."

Read it. And if you're interested in the Middle East, and why we are where we are now, you may want to read his incomparable The Great War For Civilization.

I am amazed at the number of younger photojournalists/photographers who "parachute" into Iraq and Afghanistan with only a rudimentary knowledge of history, and who tell me that after having 5 cups of tea with an Afghan family, they "understand" the culture.

This book has all they need to know and will set them straight...alas, it's a thick volume, so I'm not holding my breath.

POV: I Don't Kneel To A Golden Calf

A few days ago, I posted an opinion piece (or POV) on a renowned photographer about to engage in a project which I deemed unrelated to his travel documentary specialty.

As a consequence, I was criticized by a half dozen people in the blogosphere who, perhaps having misread the gist of my opinion, disparaged my photography, my prior career, my being Egyptian-born (as if that made me unfit to speak my mind), etc. Bah.

I was reminded of Jean-Jacques Rousseau who said: "Gratitude is a duty which ought to be paid, but which none have a right to expect" when I noticed some of the disparaging remarks on that blog were made by the very same people whose photographic work was frequently lauded, applauded and supported on my blog. Double Bah.

I don't know for sure why these people resorted to abusive ad hominem, but one of my guesses (and I have a few) is that they sought to get back at me for not being a lemming, for being an iconoclast of sorts, for not sharing their "gods", golden calves and icons, or to force me into a mold of their choosing. People simply don't like people who are not like them and don't act like they do...it's small-minded tribalism.

So move on boys and girls...I don't need you to tell me what to think and say, nor do I kneel to your golden calves. Get it?

Just so we're clear: A few expressed their disagreement with my view, but did not resort to insults. To those, I say thank you for your point of view...and let's agree to disagree.

POV: Les Chiens Aboient La Caravane Passe

My post on McCurry's taking a celebrity photography project was criticized on another blog by a handful of readers as being misplaced, rude and judgmental...which puzzled me since I specifically wished him the best of luck with his new project, and described him as a pioneer and an inspiration to many.

The thrust of my post was not about McCurry or his future but to stress the need for all of us to diversify by learning and using multimedia, FCB and Soundslides...and not remain stale and repetitive. In fact, here's a quote from the post which encapsulates my point of view:

"McCurry is one of the pioneers of travel photography and is an inspiration to many who follow his style....and to read of this new project is an uncomfortable reminder that things are changing in this industry, and that photographers (whether involved in travel, documentary and editorial) need to be sharp, varied and inventive."

So to these half dozen readers I make no apologies nor do I need to rethink/reword a single syllable of my post. Not only did you misunderstand my post's intention, but dismissed it as a rant (my POVs always are), denigrated my photography (I do that all the time so get in line and get a number), sneered at my having been a banker in my previous life (many people have more than one career, so I don't understand your point unless, God forbid, you're envious) and so on. Heck, even my country of birth was mentioned...what does it have to do with my blog posts unless it's a jingoistic innuendo? Yes, the mind boggles.

Let me also say that one of my readers also misunderstood what I meant, and had the courtesy of emailing me expressing his viewpoint, and asking for clarification. I responded, and we ended up agreeing on certain issues and disagreeing on others.

As for my pontificating, as a couple have described my post(s), that's exactly what I do here on this blog. That's what this blog is about and will continue to be. You don't have to pay any attention to it. If it aggravates you, just improve your life and remove it from your reading list, because the mission of this blog is to pontificate and to support emerging talent...period. If you don't like it, just don't read my "rants" and "pontifications"...it's really that easy. I'm only a banker-turned-photographer after all...remember?

However, I'm so enamored by the term that I will soon change the sub title of this blog to include it...perhaps like acerbic pontification...or acerbic soap boxing...thank you for the unintended suggestion!!

New Note: I have to thank all of those who emailed me expressing their support and sharing their unbridled puzzlement at the criticisms, and to those new friends who, as a consequence of all this, have now joined my newsletter mailing list! No new post today...i want to keep this one up for a while.

POV: From Afghan Girl To Martin Scorsese?

Photo Courtesy The Guardian -All Rights Reserved
I was saddened by reading an interview with Steve McCurry recently published in The Guardian in which he shares the news that he's preparing a project in which he would be taking portraits of 30 celebrities in their home cities: Robert De Niro and Martin Scorsese in New York, Amitabh Bachan in Mumbai. A sort of project that Annie Leibowitz would do...but Steve McCurry? C'mon!

I was also saddened to read that McCurry would be setting the shots, and choreographing the image-taking...the Leibowitz's style. While I'm told by various participants on his photo trips that he frequently stages scenes during his workshops, photographing celebrities requires a different type of discipline, and a different type of mind-set....and is not one hard core travel photographers would be stylistically and intellectually willing to do. Maybe I'm too idealistic?

Naturally, this project will be financially rewarding for McCurry and I wish him the best of luck with it....however, I can't help but feel a twinge of regret (and sadness, as I said twice already) that we are witnessing the dimming of a star.

After all, McCurry is one of the pioneers of travel photography and is an inspiration to many who follow his style....and to read of this new project is an uncomfortable reminder that things are changing in this industry, and that photographers (whether involved in travel, documentary and editorial) need to be sharp, varied and inventive. Resting on one's laurels is always a fatal mistake, and this is especially true in this tumultuous industry.

A photojournalist presented a body of work during the Foundry Workshop in Istanbul, but the consensus was that it was old and passe...and not relevant to the present day and age...photographers or photojournalists clinging to their past are like people breathlessly running after a Third World public bus on a pot-holed road, with young passengers hanging like a bunch of grapes from its doors and windows....and no available toe-holds in sight.

So let's be smart....let's learn multimedia, Final Cut, Adobe Premiere, Soundslides...audio techniques...learn DSLR videography....let's use Twitter & Facebook intelligently...do anything to find a toe-hold. If not, we'll be left inhaling exhaust fumes and waiting for celebrities to show up (if we're lucky).