Showing posts with label Photo Tours. Show all posts
Showing posts with label Photo Tours. Show all posts

Sunday, March 6, 2011

My Work: Chandrika, A Hijra of Becharaji

Photo © Tewfic El-Sawy - All Rights Reserved

Photo © Tewfic El-Sawy - All Rights Reserved

Photo © Tewfic El-Sawy - All Rights Reserved

One of our photo-shoots on the itinerary of the In Search of the Sufis of Gujarat Photo Expedition™ involved the eunuchs of Becharaji. This required one of the longest pre-photo shoot negotiations of the trip, since eunuchs (or hijras, as they're known in the sub-continent) are usually reticent about being photographed.

The history of the hijras is rooted both in ancient Hinduism, where eunuchs are mentioned in a variety of texts, including the epic Mahabharata, and in Islam, where eunuchs served in the harems of the Mogul rulers. Hijra is considered a derogatory term, and I was told by Rehman, our fixer, that they preferred being addressed as 'masi'. Be it what it may, the word "hijra" is an Arabic word which found its way into Urdu, and it means "migrant"...for someone who has left his or her tribe.

I chose Becharaji as a photo shoot site because of its Hindu temple, devoted to the mother goddess Bahuchara Mata. Hijras are usually devotees of Bahuchara Mata. She is considered as a patroness of their community, and is devoutly worshiped. In fact, I witnessed many Hindu pilgrims arriving to the temple, and asking for the blessings of a group of hijras, almost as if they were recognized as being especially close to the goddess.

There are many books that deal with the culture of hijras, and apart from The Invisibles by Zia Jaffrey, I found many pages about them in City of Djinns by my favorite author William Dalrymple. He writes:
"Yet despite their frequent appearances in public, very little is actually known about the Indian eunuchs. They are fiercely secretive and of their own choice inhabit a dim world of ambiguity and half-truths. They trust no one, and hate being questioned about their lives."

We were allowed to visit Chandrika at her home (which she shares with other hijras), not far from the temple itself, and where the bottom two photographs were made (the top one was made at the temple), and the house was spotless, comfortable and well-tended to. An older transgender, introduced as her guru, was there, who gave permission before we could come in. Hearing and seeing the commotion, many neighbors eventually dropped by for some tea, and it ended up being a sort of a social event.

Chandrika is an extrovert, and she reveled in the attention from this handful of foreign photographers. It was difficult to photograph her in the setting of our choice, especially as she also wanted her friends and neighbors to be in the pictures. She also seemed to have a short attention span, and a mercurial temperament...so we had to make do with what we had.

Thursday, February 24, 2011

The Sufis of Gujarat Photo~Expedition™: The Verdict

Photo © Tewfic El-Sawy-All Rights Reserved
I find it always difficult to objectively assess a photo~expedition, since there are so many variables that must be considered when judging what went right and wrong over the course of an intense two weeks...but it's something I find necessary and useful. I don't know if other travel photographers publicize the positives and negatives of their photo trips or workshops, but I do. It's an exercise in transparency that I follow because I think it's the right thing to do.

The objectives of the In Search of the Sufis of Gujarat Photo Expedition™ were diverse. This was not a run-of-the-mill photo trip, touring Gujarat in search of photogenic individuals or places, but had the complex goals of exploring and photographing traditional Hindu and Islamic syncretism.

But first things first. The group was the most international I've had so far...2 Thai photographers, 1 Singaporean and 2 Americans.  The gear was, for the first time, Nikon-dominated with a couple of Canon users and a Leica aficionado.

Speaking of gear; I used my Canon 5D Mark II, and sort of inaugurated my new Canon 7D (which replaced my trusty old friend the Canon 1D Mark II). The 7D was mostly used when I need the super-fast fps rate, or when I wanted to shoot a movie clip. I used my Canon 24-70mm f2.8 virtually all the time, while the Canon 17-40mm f4.0 was used on my 7D. The 70-200 lens was used only once, and stayed at the hotel on most days. The same for my Canon 24mm f1.4. I lost all of my back-up Compact Flash cards...probably at Delhi airport's security check...so relied on two 16 gb cards that were in the camera bodies.

The photo~expedition's logistics worked well. I traveled to Ahmedabad (where the trip started) from Delhi on Indigo, a privately-owned Indian airline, and I can't be complimentary enough. Its time-keeping and its in-flight staff (not only gorgeous, but efficient and attentive) put American and European airlines to shame. The hotels on our itinerary were as expected, but I ought to mention two in particular: The Imperial Palace in Rajkot (despite it being all-vegetarian) was fantastic, and The Pride in Ahmedabad takes second place. The fleabag award goes to the Leo Resort in Junagadh, and it's now on my list of the ten worst hotels I ever stayed in. On the other hand, the Rann Riders Safari Resort in Dasada gets the fillip, as it has last year, for being oasis of calm, efficient service and excellent food.

Our transport was a large Tata bus, although I had thought we would be driving in a Tempo-like 12 seater. No complaints there (except for the shock absorbers), and driver Ashok and his assistant were put through their paces, often driving for 9-10 hours a day...a grueling pace especially on the roads of south Gujarat, which are not well maintained at all.

Rehman was the photo~expedition guide/fixer. He was the very personification of syncretism due to his conversion from Hindu to Muslim when a young man. His knowledge of Muslim India and of Sufi lore was impressive, and he diligently gave us a written narrative of every dargah, mosque and temple we photographed at, with historical notes. His narrative was heavily laced with tales and superstitions...ideal to us, as these reflected local syncretic lore as for example, his statement that the Prophet Muhammad was the reincarnation of Vishnu!

In Bhuj, we were also assisted (like last year) by Kantilal Doobal, a local photographer-interpreter. He guided us to tribal villages.

There was one major...no, make that huge... disappointment on this photo~expedition. I planned to photograph the Siddis in their village near Diu in the very southern tip of Gujarat. I was informed that the Siddis held spectacular musical (drumming) performance during the evenings of the Muslim weekend. The Siddis are descendants of African slaves brought 300 years ago by the Portuguese for the Nawab of Junagadh. To our chagrin, there were no performances to speak of, and all we saw was a small loban ceremony during evening prayers, hardly anything to write home about. Yes, we photographed the Siddis and it seemed we were in a Central African village, but we were disappointed. I had enormous expectations from this particular itinerary objective, but it was not to be. Traveling so far down to Diu wasn't worth it at all.

Another issue was that women are not allowed in certain areas of the dargahs and mosques. This excluded two of the participants from photographing in the inner parts of the shrines, but this was no surprise. Another issue was that some shrines allowed the saints' tombs to be photographed, while others didn't, depending on the whims of local keepers/guardians. I say whims because at one shrine I was told we couldn't photograph at all, but after talking with the local religious head, he allowed us unfettered access. Insistence can pay off sometimes.

The highlights of the photo~expedition were many...the shrine of Shaikh Ahmed Khattu in Sarkej near Ahmedabad,  the Jain temples and the pujas in Palitana, a couple of tribal villages near Bhuj, a photo shoot at the home of an extroverted hijra (transvestite) named Chandrika in Bechraji, and the utterly mind-blowing scenes of trances at a dargah near Unawa.

The Palitana photo-shoot required us to walk (or be carried) up the 3500 steps to the main Jain temple at the top of the hill. This was well worth it, as a continuous puja was being held at a sacred site considered to be the most sacred pilgrimage place in Jainism. We started the climb at about 6:30 am and were at the top 3 hours later. The puja ceremony lasted for a few hours, giving us ample time to photograph every facet of it.

However, there's no question that the main highlight of the whole trip was our days spent at the Mira Datar shrine where we photographed the fantastic Sufi rituals, which included exorcisms, trances, possessed people (mostly women) in chains lest they hurt themselves, pilgrims of all persuasions, Hindus, Muslims (Sufis, Shias and Orthodox) coming to the shrine for all sorts of reasons...temporal and spiritual. It is accepted in the Islamic world that demons (known as djinns) can inhabit the bodies of individuals, and supplicating saints such as Mira Datar to rid oneself of such demons is commonplace in Sufism.

I was asked by one of the khadims at Sufi dargahs to place a "ghelaph" (or ritualistic cloth covering) over the tomb of a saint...this I tried to do with reverence and alacrity. Not allowed to cross into the area where the saint's tomb is, a number of women also asked me to spread bags of rose petals over it...I was pleased to do this, and was handsomely rewarded by being given a large rose petal to eat. Not bad...it tasted like soggy lettuce.

Sunday, January 23, 2011

On My Way: Some Thoughts And My Gear


I'm poised for next week's In Search of the Sufis of Gujarat Photo Expedition™, and have now readied/cleaned my cameras and lenses, reformatted all the CF cards, and recharged all batteries. I find this task to be one of the most tedious (but pleasurable at the same time) things I have to do before traveling on a photo expedition or assignment. It's a comfort kind of thing, a kind of reassuring thing to do, a ritual of sorts if you will, but it's still tedious...I don't know how else to describe it....and I don't know how all my stuff finally fit in my bags (not those in the above picture!).

On the other hand, one of the pre-departure tasks I don't mind doing at all is to review the itinerary I've developed, while trying to anticipate what may go wrong during the trip...my 10 years of leading photo-expeditions have prepared me for snafus, but each photo-expedition and itinerary can bring its own set of challenges.

I always look forward to a new photo-expedition, but this is also accompanied by a smidgen of anxiety. After all, I'll be meeting new photographers who've joined it, and while we've developed an online relationship with emails and links of mutual interest for the past months, a "face to face" is different. Neither of us knows what to really expect from each other.

As for those of you who are interested in gear-talk, here's the list:

Photo Equipment:

Canon 5D Mark II
Canon 7D (which replaces my trusty old friend the Canon 1D Mark II)
Canon 70-200mm f2.8
Canon 24-70mm f2.8
Canon 17-40mm f4.0
Canon 24mm f1.4
Canon 580EX II Strobe
Lumix GF1 with 20mm


Audio Equipment:

Marantz PMD620
ATR6250 Stereo Microphone
SONY Headphones

A F-3X Domke shoulder bag

13" MacBook Pro

2 Iomega hard drives (500mb and 1TB).

And my krama scarf. The most important item!


As I wrote a few times, I can't wait for the time when cameras such as the Lumix GF1 (the so-called EVIL cameras) perform as well as the current crop of digital SLRs...and reduce the enormous load factor that I'm obliged to carry on these trips.

I will try to post as much as I can...no problem from London of course, and perhaps none from Delhi except for availability of time. Once I'm in Gujarat though, it'll be silence from The Travel Photographer.

Tuesday, December 21, 2010

Kolkata's Cult of Durga: New 2011 Photo Expedition



I'm pleased to announce details of my Kolkata's Cult of Durga Photo Expedition™ scheduled from September 29 to October 13, 2011.

Kolkata's Durga Puja is the most important religious festival of West Bengal, celebrating the Hindu goddess Durga. Due to its importance, it's the most significant socio-cultural event in Bengali society of the year. It's during this annual spiritual event that I shall conduct a photo expedition/workshop.

The purpose of this photo~expedition is to photograph the innumerable rites associated with the Durga Puja festivities; and since Kolkata offers a diverse, gritty, and a visually compelling environment to photographers, it'll also be a "street-photography-heavy" workshop, with a multimedia component.

For details, drop by Kolkata's Cult of Durga Photo Expedition™

Thursday, December 2, 2010

Teaser


Yep...we're on a roll. All this will be announced soon on this blog, and via newsletter. Hold your breaths!

Monday, November 29, 2010

Books By Participants In TTP's Photo~Expeditions™

A few weeks ago, I wished here that more of the participants who join my photo~expeditions would, not only feature their work on their websites as most do already, but also publish their images in book form. It's not an easy task to prep and publish a book, but the eventual satisfaction is just sublime. I know first hand because I self-published Bali: Island of Odalan, and now I'm waiting for the sample proof of my second book Darshan (an announcement will be made shortly).

So I was very pleased to see 4 members of The Travel Photographer's Photo~Expeditions™ have already published their books (and with some, already their second or even third book).

1. Torie Olson joined my Theyyam of Malabar Photo`Expedition™ in 2009, and has just published the wonderful Life In Color (Photographs of Gujarat), a 117 page large hard cover landscape book.


2. Sandy Chandler joined a number of my photo trips; the latest being Bali: Island of Odalan Photo~Expedition™ this past July, and has just published Calling The Soul, an 80 page standard landscape book that promises to be a gem.


3. Charlotte Rush-Bailey joined my Tribes of Rajasthan & Gujarat Photo Expedition™ earlier this year, and quickly published her Kutch Classic, a 98 page large format hard cover landscape with her "specially brewed" photographs.


4) Susan Storm joined my Sikkim & Darjeeling Photo Expedition™ in 2003. A photographer and journalist for over 20 years, she worked for many of the top magazines in most continents. She published Colours In The Dust (On The Sari Trail), a 232 pages standard landscape book of her lovely images of India.


My congratulations to these photographers who took the initiative and featured their work in print form. I'm looking forward to hearing from other participants as to their book publishing efforts. C'mon, guys!

Monday, November 8, 2010

POV: Photo-Workshops Are Useful, But....

Photo © Tewfic El-Sawy-All Rights Reserved
Scott Bourne, who publishes and writes Photofocus since 1998, has posted an article on photo workshops titled Don't Listen To The Trolls in which he encourages people to attend workshops led by photographers who have work they find inspiring...an encouragement that is both reasonable and logical.

However, let's take this a step or two further because, simply put, there are photographers who market their workshops (and there are many these days) whose work may be phenomenally beautiful and inspiring, but who are unable to lead, who can't/won't teach and are unable/unwilling to share. It's simply not enough that the photographer's work is good...not at all. There are many more factors that come to play in one's decision in choosing a photo workshop.

Obviously, the price of the workshop is one of the first determinants. Celebrity photographers command a hefty premium, and while some are worth it, others are not. In the case of travel photography workshop, I've come across workshops of 10 days starting at $8000, excluding international travel costs and meals. Knowing full well that the real costs of these workshops are in the range of $2000-2500 tells me that the profit margins for such photographers may be in the $5000-6000 range...per participant.

Many believe (or hope) that taking part in such high-priced workshops is worth the price because of the technical knowledge acquired; because of the bragging rights from rubbing shoulders with the famous photographers, and because the quality of their "during and after workshop" image inventory will justify the expenditure.

Maybe. Maybe not.

On the other hand, let's be cautious and do our homework (what bankers and business people call due diligence) by eliminating as many uncertainties as possible before shelling out thousands of dollars. Ask for references and opinions from previous attendees, compare workshops' details to one another, compare itineraries if these are travel photography workshops, ask who really leads the workshop: the photographer or assistants (trust me...the higher up the totem pole the photographer is the more assistants there will be...and the less you'll see of the photographer), figure out how much individual face time the participants will have with the photographer, who responds to your email and/or calls, who created the itinerary if it's a travel photography workshop, is it in a well-trodden tourist circuit or it an off-the-beaten path itinerary, how many participants in the workshop...and lastly what percentage of clients are repeaters.  And let's throw this in as well: if the workshop is marketed by a company because the hot-shot photographer is too busy to do it, that company will get a big bite off the price tag....and naturally you end up paying for it.

Personally, if I wanted to go on a workshop I'd rather go with a grunt...not a celebrity/famous photographer. I'd want to be taught rather than patronized...I wouldn't like being palmed off to an assistant nor do I want to be intimidated. I'd rather be given a candid assessment of my abilities and limitations in plain simple English rather than in a mealy-mouthed babble ....and finally, I want to enjoy myself.

But that's me.

(Photograph made at the Wangdicholing Monastery, Jakar, Bhutan)

Saturday, October 16, 2010

Alia Refaat: Bali Island of Odalan

Photo © Alia Refaat-All Rights Reserved

Here are work samples from Alia Refaat, the final participant in the Bali: Island of Odalan Photo~Expedition ™ . It is Alia's second travel photography expedition, and she plans a series of exhibitions in Cairo of her photographs.

Alia is a commercial photographer from Cairo, Egypt. Alia studied Mass Communications, and trained at Spéos Paris in commercial, portrait and studio photography.

The above photograph is of Balinese devotees returning from the ocean having purified their temple's deities. The all day ceremony was performed near the famous temple of Goah Lawah.

Photo © Alia Refaat-All Rights Reserved

The above intriguing photograph is of Balinese playing Kocokan. This is a sort of roulette in which the players put some money on a vinyl mat decorated with six different pictures of cartoon version of Hindu gods, demons or animals. Surprisingly, this gambling is allowed during a temple odalan.

Photo © Alia Refaat-All Rights Reserved

Cremations are one of the most sacred events in Balinese culture. In this photography, Alia was quick to notice the rather macabre juxtaposing of the body's exhumation and the t-shirt worn by one of the cremation's attendees.

Wednesday, October 13, 2010

My Work: Traversing The Kachchh Part Two


I've uploaded around two dozen of new photographs unto a still gallery titled Traversing The Kachchh Part Two. These photographs were made during my Tribes of South Rajasthan & Kutch Photo~Expedition ™ earlier this year.

As the title suggests, this is the second of my still galleries of photographs made in that area; the first was Traversing The Kachchh.

Both galleries are precursors to my forthcoming photo-expedition In Search of Gujarat's Sufis to south Gujarat and the Kutch.

The In Search of Sufis Photo~Expedition ™ was sold out a week or so from its being announced.

Sunday, October 10, 2010

Cathy Scholl: Tribes of Rajasthan & Gujarat

Photo © Cathy Scholl-All Rights Reserved

Cathy Scholl is a photographer and a participant in my Tribes of Rajasthan & Gujarat Photo~Expedition, which took place earlier this year between January 23 and February 7, 2010. She has traveled to India no less than 13 times, as well as to Nepal, Bhutan, and Burma.

Her photographs were exhibited in galleries throughout Southern California. In addition to winning awards, her work was selected to hang in juried exhibitions curated by leading experts in the field of photography, such as Arthur Ollman, founding director of the Museum of Photographic Arts, San Diego.Cathy is also an active member in the Burn magazine community, which is curated by David Alan Harvey

Photo © Cathy Scholl -All Rights Reserved

Following her participation in my photo~expedition, Cathy continued to Haridwar where she also photographed at the Kumbh Mela. I chose these photographs made during the photo~expedition from her blog More Than Just A Pretty Picture...an appropriate title as Cathy's style is more inclined towards documentary travel photography, and she eschews cookie-cutter travel photographs.

Photo © Cathy Scholl -All Rights Reserved

The top photograph is of a Gujarati villager and her child, made in one of the countless villages we visited during the photo~expedition. The middle photograph was made in Baneshwar, during a pind daan ceremony which extends for about a week, and during which the tribal people of Rajasthan and Gujarat come to remember their dead....notice how Cathy framed the characters in this photograph.

The third photograph was made in a grain distribution room in the village of Poshina, where tribals and villagers receive their subsidized rations. 

Sunday, October 3, 2010

POV: My Photo~Expeditions: Verdicts


Wade Laube is a photo editor, a photographer and an opinionated ranter (the two last descriptions make him a "my-kind-of-guy"), and he's penned an interesting post on his blog titled Buyer Beware of the Dodgy Workshop.

He says this:

"The travel industry has offered photography-themed holidays for years. Hobbyists spend their annual leave somewhere picturesque, get expert tuition and access to expensive gear they wouldn’t normally, while the organisers make some money and everyone’s happy. But what aboveboard entrepreneurs started, parasites are mimicking."

And I couldn't agree more. Caveat Emptor is the rule here. I would also add that great photographers are not necessarily great travel photography workshop teachers and/or leaders. Some are and others are not.

Once again, here's Wade's wisdom:
"Ultimately what you need to ask yourself is whether you are purchasing a valuable educational experience. Are you just paying for the brand-value of a big name photographer and getting little more?"

Having one of the highest number of "repeaters" (returning participants) in the business is a fillip that I wear with great pride, and as one of the few in this business who's decided to reduce the number of expedition participants to a maximum of 5, I thought it useful to once again feature the verdicts of my past photo~expeditions as follows:

Bali: Island of Odalan Photo~Expedition

Tribes of Rajasthan & Gujarat 2010 Photo~Expedition

Bhutan Photo~Expedition 2009

Morocco-Gnawa Festival Photo Expedition 2009

Theyyam of Malabar Photo~Expedition 2009

Friday, September 24, 2010

Wink Willett: Tribes of Rajasthan & Gujarat

Photo © Wink Willett -All Rights Reserved

Wink Willett was on the participants in my Tribes of Rajasthan & Gujarat Photo~Expedition, which took place earlier this year between January 23 and February 7, 2010. Due to conflicting time demands, it took a while for him to upload his photographs of the trip, but he finally got them on his website. Here are those I chose to showcase:

To kick the post off, the above photograph is of an elderly Gujarati Rebari with his wife in the background. This is a spontaneous portrait, made whilst the man was greeting someone else.

Photo © Wink Willett -All Rights Reserved

The above environmental portrait is of two Wadha girls with their goats. The Wadha tribe near Bhuj are traditionally involved in the production of wood charcoal, and are extremely poor. Yet, they take enormous pride in their homes (mostly huts with thatched roofs), the cleanliness of their living quarters and use brilliant colors to spruce them up.

Photo © Wink Willett -All Rights Reserved

The photograph above is of two traditional Rabari shepherds which was made in the south of Rajasthan. The Rabaris are nomadic shepherds, cattle and camel herders, and the men commonly wear white, golden earrings, white or red turbans and carry a big stick in the hand. They wear dhoti and  short double breasted waist coat.

Photo © Wink Willett -All Rights Reserved

During the photo~expedition, we spent a few days in South Rajasthan to photograph at the Baneshwar Mela; an annual religious gathering when event tribal people indigenous to the area converge to the confluence of two rivers. It is there that they remember their dead and cleanse their sins by bathing in the ice-cold water.

Wink Willett is an international banker, and brings to his photographic style the lessons he learned from his many overseas senior postings. Check his website for more of well composed travel photographs.

Tuesday, September 21, 2010

Ralph Childs: Bali Island of Odalan

Photo © Ralph N. Childs -All Rights Reserved

Ralph Childs is a five time participant in my photo~expeditions, and is the seventh to submit samples of his work made during the Bali: Island of Odalan Photo~Expedition ™.

The above photograph, which I view as one of the best ones in his Bali portfolio, is of a devotee in a trance during a melasti ceremony at Masceti beach. These trances are not play-acting by any means, and are genuine manifestation of religious fervor which may reach a peak during such important celebrations and rituals.

Photo © Ralph N. Childs -All Rights Reserved

The above photograph was made during a traditional procession on the same Masceti beach on the Balinese eastern coast during one of the melasti ceremonies we photographed. Melasti is the purification of the Pratima deity and other symbols at a beach, and is a fundamental ritual of a temple's anniversary.

Photo © Ralph N. Childs -All Rights Reserved

This is one of the candid photographs that Ralph seeks whenever he's traveling. He pursues the theme of "father & son", and this one of the young boy and his father (under the spring's spout) was made at Pura Tirta Empul, where hundreds of devotees come daily to bathe in the temple's sacred springs.

Photo © Ralph N. Childs -All Rights Reserved

The above photograph is of Kecak dancers in an unusual pose, which I believe is towards the end of the performance. The Kecak dance is a comparatively modern Balinese dance, and is also known as the Ramayana Monkey Chant. It is performed by a circle of many performers wearing checked cloth around their waists, chanting "cak" and throwing up their arms.

Chicago-based Ralph Childs maintains the blog RNC Photography where he posted more of his Kecak photographs. He also photographs local assignments during week-ends, and works for one of the largest American aerospace and defense technology company.

Monday, September 13, 2010

Bali: Odalan at Pura Desa Sapat

Photo © Tewfic El-Sawy-All Rights Reserved

Here's the first gallery of my own work whilst I was leading the Bali: Island of Odalan Photo~Expedition™ last month.

It's a linear photo gallery of about 20 large color photographs made during an important anniversary of a Balinese Hindu temple, and it's titled Odalan: Pura Desa Sapat. It's more photo journalistic in style than travel, and there are graphic photographs of animals being sacrificed, which may be disturbing to some.

This was one of the two most intense photo-shoots during the whole photo~expedition...not only because of the time spent photographing, but also because of the unending kaleidoscope of movements, rituals, rites and activities.

Every temple in Bali has a scheduled festival, an odalan, to celebrate the anniversary of temple dedication. The timing of the anniversaries are either based on the lunar calendar or on a 210-day ceremonial cycle. Depending on the importance of the anniversary and on the wealth of its community, animals are occasionally sacrificed.

These anniversary events are important for the communal harmony of the Balinese, where villages will join other villages to pray at their odalan, adding their blessings for the success of the occasion.

Saturday, September 11, 2010

Penni Webb: Bali Island of Odalan

Photo © Penni Webb-All Rights Reserved

Penni Webb is a second time participant in my photo~expeditions, and is the sixth to submit samples of her work made during the Bali: Island of Odalan Photo~Expedition ™.

Penni is a professional photographer as well as an Interior Designer and Organizer in Marin, California. She has an MA from the SFAI in Printmaking, learned Photography at California College of the Arts and worked with several Master Photographers such as Phil Borges.

Her first photograph is of Rejang dancers during a pre-cremation ceremony at a private house. The girl in the middle was a natural...and loved to pose for cameras. Rejang dancers are usually young females, dressed in bright yellow and white silk and headdresses made from fresh young coconut leaves decorated with flowers. The Rejang dancers represent the female angels who accompany deities.

Photo © Penni Webb-All Rights Reserved

The above photograph is one that was made by most of the group's members, and is of an elderly Balinese matriarch returning to her traditional home after having emptied a basket of morning offerings, known in Bali as canang.

Photo © Penni Webb-All Rights Reserved

The third photograph is of a Balinese woman snapping a picture with her cellphone of three Rejang dancers during a during a melasti ceremony at Masceti beach.

Before starting her business in 1999, she managed and directed contemporary art and antique galleries and was a photographer for a large event & film company in Oakland. Her hand-painted photography work is represented by Smith Andersen North in San Anselmo where she had a solo show in 2008. She has exhibited her photographs and prints nationally since 1974.

Tuesday, September 7, 2010

Chris Schaefer: Bali Island of Odalan

Photo © Chris Schaefer -All Rights Reserved

Chris Schaefer is a first time participant in my photo~expeditions, and is the fifth to submit samples of his work made during the Bali: Island of Odalan Photo~Expedition ™.

Chris is an attorney, and when asked to describe himself for this post, wrote that he "likes to travel to far away places with professional photographers and hopes for a quality photo now and then. He is educated in nothing related to photography, but enjoys snapping the shutter and seeing what happens."

Having seen the results of his "snapping" as he calls it, I think he did extremely well and surpassed his expectations of having a quality picture now and then.

The above photograph is that of a traditional procession on Masceti beach on the Balinese eastern coast during a melasti ceremony. Melasti is the purification of the Pratima deity and other symbols at a beach, and is a fundamental ritual during a temple's anniversary.

Photo © Chris Schaefer -All Rights Reserved

The second of Chris' photographs is of a Legong dancer at the Ubud Palace during a performance. The performance included various dances, such as the Gabor, Baris, Kraton ad the Taruna Jaya. The Legong dance is characterized by intricate finger movements, complicated footwork, and expressive gestures and facial expressions. This dancer in particular used her eyes to convey emotions extremely well.

Photo © Chris Schaefer -All Rights Reserved

The third of Chris' photographs was made at the holiest of Bali's religious sites: Pura Tirta Empul, whose sacred spring is said to have curative properties. The tradition has continued unchanged at the temple for a thousand years. This photograph shows how the Balinese place canang (offerings) at the spouts of the springs.

Friday, September 3, 2010

Bo Jungner: Bali Island of Odalan

Photo © Bo Jungner -All Rights Reserved

Bo Jungner is a first time participant in my photo~expeditions, and is the fourth to submit samples of his work made during the Bali: Island of Odalan Photo~Expedition ™.

Bo holds a MSc in Business Administration and Economics from the Stockholm School of Economics and works for a Swedish-based private equity company. He's also a photography enthusiast who joined my group whilst in Bali with his family.

When I first saw the above photograph of a Rejang dancer adjusting her headgear during a melasti ceremony, I told Bo that it was my favorite I had seen from his portfolio. I still think it is.

Photo © Bo Jungner -All Rights Reserved

The second photograph may repel some of the viewers, but washing skeletons is what happens during the exhumation which precedes a cremation in Bali. The whole event is a joyous one for the Balinese as the cremation of the body leads to the release of the soul, and brings final closure to the families. We were photographing in a small village in the Gianyar Regency, and spent some 6-7 hours shooting non-stop under a merciless sun. It was one of the most intense photo shoots during the expedition.

Photo © Bo Jungner -All Rights Reserved

This photograph is of a group of young Rejang dancers during a pre-cremation ceremony at a private house. We were welcomed, and feted like old friends by the family of the deceased, and welcomed by the whole neighborhood. The first dancer was really very comfortable with the cameras, and posed for us very professionally despite her young age.

Photo © Bo Jungner -All Rights Reserved

Here Bo photographed the preparation for a cockfight which was to take place on a beach during a temple odalan. Normally, cockfights in Bali are illegal unless these are connected to temple ceremonies.

Wednesday, September 1, 2010

Sandy Chandler: Bali Island of Odalan

Photo © Sandra Chandler -All Rights Reserved

A third-time participant in my photo-expeditions (The Gnawa in Morocco, Tribes of Rajasthan & Gujarat, and Bali Island of Odalan), Sandra Chandler is a photographer and interior designer based in San Francisco. She tells us that color, smells and sounds drew her to world travel. Her city's Asian culture first enticed her to China in 1978 when the People’s Republic first opened. She then continued her exploration of Asia by traveling to Bhutan, India, Japan, Singapore, Nepal, Thailand, Tibet, and on to South America and Europe.

The above photograph was made at one of the many odalan anniversary celebrations in Bali during our trip. The musicians play traditional instruments such as the gamelan, and are called upon to perform at many functions, including weddings and cremations.

Photo © Sandra Chandler -All Rights Reserved

The above photograph was made during the Legong dance perfomance at the Ubud Place, and is of the Baris. The Baris is a traditional war dance of the island, in which a male dancer depicts the feelings of a young warrior prior to battle.

Photo © Sandra Chandler -All Rights Reserved

This photograph was made at an odalan held in a forest setting, near the village of Birta. Here, female pemangku are surrounded by incense (known as dupa) smoke used to appease the spirits and accompany offerings at all temple ceremonies.

Photo © Sandra Chandler -All Rights Reserved

The adorable grand-daughter of a wayang kulit (shadow puppet master) was a willing subject for Sandy's lens. We spent about 3 hours at the home of I Wayan Martha, the shadow puppeteer, in Sukawati where he and his assistants gave us a private performance of this traditional Javanese/Balinese tradition.

Sandy also published a book ‘Carnevale, Fantasy of Venice' of her beautiful photographs of Venice and its magical Carnevale.

Friday, August 27, 2010

Rose Schierl: Bali Island of Odalan

Photo © Rose Schierl-All Rights Reserved

Here's the work of Rose Schierl; the second participant of the Bali: Island of Odalan Photo~Expedition ™ to send images to post on this blog.

Rose has been photographing since 2005, and only gone digital two years ago. She hasn't gone through any formal photographic education per se, but attended various short workshops, and those set by Arizona Highways. Rose won an award at a juried show for one of her photographs in 2009. She's also an accomplished diver, and before the photo expedition was on a diving vacation for a couple of days in the north-west of the island.

So far, it appears the fire-walkers at the end of the Kecak dance performance we attended in Ubud was a favorite subject for the group members. Rose managed to capture one of them kicking a blast of glowing embers (above).

Photo © Rose Schierl-All Rights Reserved

One of the shoots I organized during the photo-expedition was at the house of a wayang kulit (shadow puppet) master, where we were treated to a private performance The wayang kulit is an extremely important vehicle of culture, serving as carrier of myth, morality play, and form of religious experience rolled into one. Here, the master is moving one of his shadow puppets during the performance.

Photo © Rose Schierl-All Rights Reserved

Here's a Balinese villager who was attending a night odalan in Bitra village. The temple anniversary was one of the most interesting we've been to during the 2 weeks photo-expedition. Not only did it involve the requisite day-time religious prayers and offering in an exquisite forest setting, but it included performances of Barong and Arja dances.

Photo © Rose Schierl-All Rights Reserved

Rose captured a dancer during an evening Legong performance at Ubud's palace. The performance included various dances, such as the Gabor, Baris, Kraton and the Taruna Jaya.

Monday, August 23, 2010

Kim McClellan: Bali Island of Odalan

Photo © Kim McClellan -All Rights Reserved

Kim McClellan is a third-time repeat participant in my photo~expeditions, having joined Bhutan: Land of Druk Yul Photo~Expedition ™ in October 2009, and the The Tribes of Rajasthan & Gujarat Photo~Expedition ™ in January 2010 before returning with a trove of images from the Bali: Island of Odalan Photo~Expedition ™ last week.

Photo © Kim McClellan -All Rights Reserved

Kim is a professional photographer (as well as working for the SBA in DC), and graduated from the Washington School of Photography in January 2001. She's passionate about international travel photography, and her work was featured in juried exhibitions and shows in the Washington DC Metro Area. She's well-known for her work in fashion, glamor, and classical figures.

Photo © Kim McClellan -All Rights Reserved

During the Bali photo-expedition, Kim worked on transitioning from the more staged style of glamor photography to the more fluid style of travel-photojournalism, which is the core objective of my photo workshops. Her photographs here demonstrate her progress in that transitioning.

Photo © Kim McClellan -All Rights Reserved

The first photograph was made during a private ceremony preceding a cremation. Cremations in Bali are occasions for gaiety and not for mourning, since it represents the ceremonial burning of the dead to liberate their souls to be free for reincarnation into better beings.

The second was made at the holy temple of Pura Ulun Danu Bratan, which is a major water temple on Bali, and one that protects Bali from evil spirits from the north west. and where constant ceremonies were being conducted when we were there.

The third is of a melasti on a beach on Bali's north east shores. Melasti is an important purification ceremony when temple devotees in Bali go to its beaches, carrying their temple effigies and where the cleansing rituals occur.

The fourth photograph was made during a Kecak & Kris Trance dance in Ubud, and shows one of the dancers in a trance walking barefoot on glowing embers.