Friday, December 31, 2010

End Of Year Photograph

Photo © Muhammed Muheisen/AP
This is my 2116th post since I started The Travel Photographer blog, and with it I'd like to close 2010 with this lovely photograph by the very talented Muhammed Muheisen.

It appeared on the LENS blog of the New York Times a few days ago, and it shows three young refugee girls; two from Afghanistan and the third from Pakistan, attending a Qur'an class in a mosque in Islamabad. You may want to click on it to enlarge it.

The expression of the cute middle one is just sublime...especially that her cloth prayer book is upside down. Not very attentive are we now? And the "I Love NY" hoodie worn by the third girl kept a smile on my face for a while.

I hope it does the same to my readers.

Till next year!

The 1000th Google Follower

Photo © Haleh Bryan-All Rights Reserved
I was glad to see my Google followers have reached the 1000th mark yesterday, auguring well for The Travel Photographer's blog in 2011.

The 1000th Google Follower is Haleh Bryan who publishes her own blog Haleh Bryan Photography which showcases her talented personal work. Apart from her art photography, she has a gallery of Egypt which the above image is from.

Thursday, December 30, 2010

Four Photographers Document Cockfights

Here's a feature which groups individual photo essays of cockfighting by four photographers. I thought of grouping these essays, and also mention my own. Two of the cockfights occur in the Philippines, one in Haiti and the fourth occurs in Bali.

Photo © Julie Batula-All Rights Reserved
The first photo essay is Julie Batula's One Way Out; a photo essay of black & white photographs of cockfighting or sabong as it's called in the Philippines, where it's one of the oldest and most popular sports.

As Julie says: "Roosters continue fighting because they cannot escape, regardless of how exhausted or injured they become. It is a routine where they are forced to fight or die, and where death is the only way out."

Julie Batula is a Manila-based artist and documentary photographer, who is influenced by the works of Sally Mann and Nan Goldin.

Photo © Mitchell Kanashkevich-All Rights Reserved
The second photo essay (it's more of a multi-photo blog post) is by one of my favorite travel photographers: Mitchell Kanashkevich. He tells us he was riding a motorcycle to the city of Dumaguette in the Philippines and came by an area where cockfights were from morning till midnight everyday for a few days.

Mitchell Kanashkevich is a travel/documentary photographer, and is represented by Getty Images. He's been featured on this blog a number of times.

Photo © Swoan Parker-All Rights Reserved
The third photo essay is by Swoan Parker who features a 16 color photographs in a photo essay titled "Place Your Bets" of cockfights in Haiti.

Swoan Parker is a freelance photojournalist based in New York City available for global assignment. Her work has been published in The New York Times, The Wall Street Journal, USA TODAY, The Los Angeles Times, Newsday, TIME, and National Geographic Traveler among others.



The final photo essay is mine, and is titled Tajen. It was photographed on the island of Bali last August.

Wednesday, December 29, 2010

Katharina Hesse: Human Negotiations (& Interview)



Katharina Hesse is a photographer who currently works in China and Asia, and has been based in Beijing for the past 17 years. She graduated in Chinese and Japanese studies from the Institut National des Langues et Civilizations Orientales (INALCO) in Paris.

She has recently uploaded some of her gripping photographs of Bangkok's sex industry unto a 6 minutes-movie which she titled Human Negotiations (above), and during which she also talks about her project in a Skype-interview with Elisabetta Tripodi, and which appeared on the blog e-photoreview.

Human Negotiations is an experimental two-year collaboration between Katharina and writer Lara Day, using images and text to explore the lives of a community of Bangkok sex workers. I cannot begin to fathom how Katharina managed to gain the trust and confidence of her subjects to such a degree...and she says as such in her interview, and that the most important task in her project was to gain the trust of the sex workers and their clients. All serious photographers agree with her advice, since only full and complete mutual trust gained over months and months can make such intimate projects possible.

Katharina's has an impressive background. Not only is she a self-taught photographer (always a huge plus for me), but she initially worked as an assistant for German TV (ZDF) and then freelanced for Newsweek from 1996 to 2002. In 2003 and 2004 she covered China for Getty’s news service. Her images were featured in numerous publications such as Courrier International, Der Spiegel, D della Repubblica, EYEmazing, Zeit Magazin, Glamour (Germany), IO Donna, Die Zeit, Marie-Claire, Le Monde, Le Monde Diplomatique, Neon, Newsweek, 100Eyes.org , Reporters without borders(yearbook 2010, Germany), Stern, Time Asia, Vanity Fair (Italy/Germany), and Wired (Italy) among others.

Katharina's photographs of Xinjiang, Kashgar and Urumqi are probably the best I've seen of that region....so go to her website after you watch the above movie.

Tuesday, December 28, 2010

Marji Lang: Gujarat

Photo © Marji Lang-All Rights Reserved
Marji Lang is a French travel and documentary photographer, whose color-full photographs in her India galleries just jump at you.

She's fallen in love with India and has already traveled there four times. Over the past 10 years, Marji traveled in South East Asia, and was influenced by Henri Cartier Bresson and more recently by the work of her compatriot and Indiaphile Claude Renault.

She rarely plans ahead her trips, and just takes it a day at a time. No specific hotel reservations nor fixed itineraries. She prefers making her photographs with a human presence...but is not against making a few that are devoid of people (such as the one above). Marji only uses a 24-70mm lens.

I was interested in her Gujarat gallery as some of her photographs are of Jain female pilgrims (sadhvi) in Palitana, one of our stops during my forthcoming photo expedition In Search of Gujarat's Sufis next month.

Romain Alary: The Street

Photo © Romain Alary-All Rights Reserv
Romain Alary is French photographer-filmographer who traveled extensively, and has recently completed a voyage of many months from Paris to Tokyo. He now lives in France where he's involved in both photography and cinematic projects.

From an entry in his blog, Alain was involved in the movie "Women Are Heroes" by JR whilst parts of it was being filmed in India. The reason I mention this is that he posted a movie clip of Bundi, which is very well made...a time-lapse of the small Rajasthani town, which I initially took to be Pushkar because of its central lake. Most of Bundi's houses/bulidings are painted blue, which gives the movie an interesting look. It's not posted on Vimeo, so you'll have to click on Romain's blog to view it.

Monday, December 27, 2010

NYT's Week In Review Section


The snow storm may have something to do with it, but I read The New York Times' Sunday edition from cover to cover yesterday, and saw its Week In Review section carried the above photograph.

Hurray! I chose this photograph as my favorite in my post on the 55 photographs featured by Reuters on its Best of The Year Photojournalism, and is by Adrees Latif who made it during relief supplies being delivered to flooded villages in the Muzaffargarh district of Punjab in Pakistan.

I described it as "one of these photographs that tells it all...the struggle for survival, the physicality of despair..."

Two questions pop to my mind....Do the photo editors of The New York Times read my blog??? And do I take that as a sign to hang my cameras and become a photo editor?

I think the answer to the first is 'maybe', and the answer to the second is a categorical 'no'.

Neil Wade: Kham & Amdo



Neil Wade is an editorial and corporate photographer based in Taipei, Taiwan. His photography was featured in varied magazines as National Geographic, Forbes, The Financial Times of London and Skateboarder.

Kham is a region currently split between the Tibetan Autonomous Region and the Chinese provinces of Sichuan, Yunnan and Qinghai. The people of Kham are reputed warriors. Many Khampas are members of the Bon religion; an esoteric branch of Tibetan Buddhism, and are considered with suspicion by more mainstream Tibetan sects.

The traditional Tibetan region of Amdo is located on the northeast corner of the Tibetan Plateau. Most of Amdo lies in modern day Qinghai province. It is famous for producing some of Tibet's most famous spiritual leaders.

Eric Kruszewski: Tibet



Eric Kruszewski is a Baltimore-native, who started traveling internationally in 2005. He is drawn to new cultures, faces, practices and daily life. His website features galleries from Tibet, Mongolia, India, Georgia, and closer to home, Alaska and the American West. Spend some time at Eric's Mongolia gallery, which has some nice photographs of the Naadam festival.

The above photograph is of Tibetans prostrating themselves in Lhasa. Prostration is an important expression of Tibetan Buddhism. It's said that Tibetans are expected to prostrate themselves 100,000 times a year. Although they prostrate themselves at temples, some pilgrims cover the entire 33-mile route around Mount Kailas by repeatedly prostrating themselves.

The first time I saw a Buddhist pilgrim prostrating himself in such a way was at the Boudhanath Stupa in Kathmandu, about 10 years ago. He wore a full-body leather apron, and wooden "clogs" for his hands, and he circumambulated the stupa for as long as I was there.

Sunday, December 26, 2010

POV: Is This The Xmas Spirit?

AP Photo/Hussein Malla/ Courtesy Denver Post PBlog
The human genius in reducing religious and/or social events down to nauseating manifestations of mindless consumerism, bad taste and repulsive glitz is seemingly alive and well in all major cities, minor cities and wherever there's the need for marketing, selling and buying.

However the 2010 award for the most loathsome display of this talent belongs to the Emirates Palace Hotel (Abu Dhabi), whose general manager Hans Olbertz, was quoted as saying the 43-foot (13-meter) fake fir has 131 ornaments that include gold and precious stones including diamonds and sapphires valued at $11,000,000.

Notwithstanding the fellow's subsequent apologies, and his admission that it was "over the top", the tree stands as a symbol of what Christmas (and every other religious observance) should not be.